Nietzsche's name for the uncontainable dimension in tragedy is the Dionysian, which can only be tolerated through the beautiful shining forth of the Apollonian.

尼采将悲剧中不可遏制的维度命名为酒神，只有通过阿波罗的美丽光芒才能容忍。

Nietzsche makes much of this linking of tragedy to the satyr play in The Birth of Tragedy, as he does with the ancestry of tragedy in Dionysian dithyrambs.

尼采在《悲剧的诞生》中充分利用了悲剧与色狼戏剧的这种联系，就像他在酒神颂歌中与悲剧的祖先所做的那样。

For Vernant and Vidal-Naquet, the Dionysian element is present in tragedy not in terms of birth or origins, which simply elude us, but in terms of the self-consciousness of fiction that tragedy enacts.

对于 Vernant 和 Vidal-Naquet 而言， 酒神元素出现在悲剧中， 不是以我们无法理解的出生或起源的形式出现，而是以悲剧所表现的虚构的自我意识的形式出现。