" Every ideology is contrary to human psychology, " said French-Algerian philosopher Albert Camus.

“每一种意识形态都与人类心理学背道而驰，”法国-阿尔及利亚哲学家阿尔伯特·加缪说。

According to Albert Camus, if you search for meaning in this world, you'll find nothing.

阿尔贝·加缪说过，如果你在这个世界上寻找意义，你将一无所获。

Albert Camus said that “what is called a reason for living is also an excellent reason for dying.”

阿尔贝·加缪说过：“所谓活着的理由同时也是死亡的绝佳理由。”

Especially when we conform to certain ideologies or religious doctrines, we might commit what philosopher Albert Camus called: philosophical suicide.

尤其是当我们遵从某些意识形态或宗教教义时，我们可能会做出哲学家阿尔伯特·加缪所说的事情：哲学自杀。

Albert Camus: I don't mind Camus' writings, but I do feel like, as a philosopher, his ideas are pretty derivative.

阿尔贝·加缪：我不关心加缪的作品，但我确实觉得，作为哲学家，他的思想模仿性相当重。

It owes much to Jean-Paul Sartre and Albert Camus, both philosophers, writers and famous public intellectuals in France, from the Second World War until Sartre's death in 1980.

这在很大程度上要归功于让-保罗·萨特和阿尔伯特·加缪，他们都是法国的哲学家、作家和著名的公共知识分子，其影响从第二次世界大战一直延续到萨特于 1980 年去世。

Mysteries don't get solved, and order doesn't get restored. … LOL Philosophically, the worldview of the Theater of the Absurd is similar to existentialism, probably because Esslin was influenced by Albert Camus.

谜团不会被解开 秩序也不会恢复 … … 呵呵从哲学上来说 “荒诞派戏剧”的世界观与存在主义相似 可能是因为埃斯林受到了阿尔贝·加缪的影响。

When Albert Camus, a French philosopher, analyzed this myth in his essay The Myth of Sisyphus, he concluded: " The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy."

法国哲学家阿尔贝·加缪在《西西弗斯的神话》一文中分析了这个神话，他总结道：“攀登高峰本身就足以填满一个人的心。我们可以想象西西弗斯是快乐的。”

In his classic essay The Myth of Sisyphus, existentialist philosopher Albert Camus compared the punishment to humanity’s futile search for meaning and truth in a meaningless and indifferent universe.

存在主义哲学家阿尔伯特·加缪在他的经典论文《西西弗斯神话》中将这种惩罚比作人类在无意义和冷漠的宇宙中徒劳地寻找意义和真理。

The Depths of Existentialism: Finally, we traverse the literary landscape to uncover a profound example of juxtaposition in Albert Camus' " The Stranger." The protagonist, Meursault, embodies the juxtaposition of life and death.

存在主义的深度：最后，我们穿越文学景观，揭开阿尔贝·加缪 (Albert Camus) 的《局外人》中并置的深刻例子。主人公默尔索体现了生与死的并置。