By appropriating objects from commodity culture, the Cubists further challenged the notion of " Fine Art."

通过挪用商品文化中的物品，立体主义者进一步挑战了“美术” 的概念 。

Picasso's first Cubist paintings were all painted in brown and grey.

毕加索的第一批立体派画用的全是褐色和灰色。

You could call her a true artist, a cubist. Kind of like Rueben's except Rubik's.

她可以称得上真正的大师，方块大师，有点像鲁本斯立体派而不是鲁比克魔方派。

Cubist art also introduced the popularity of mask-like faces in paintings.

立体派艺术还引发了面具面孔在绘画中的流行。

People agree that Picasso's greatest Cubist painting is Guernica, which was painted in Madrid in 1937.

人们认为毕加索最伟大的立体派作品是《格尔尼卡》，这幅画于1937年作于马德里。

He was an excellent example of a cubist artist, at least during his later career.

他是立体派艺术家的典范，至少在他后来的职业生涯中是这样。

All those colorful smudges and loose brush work seemed insubstantial and ephemeral when you compared them to the rigorous forms of the cubists and futurists.

所有那些色彩斑斓的污迹和松散的笔触，与立体派和未来派严谨的形式相比，似乎都是空洞而短暂的。

Like many Analytical Cubism pieces, the painting uses very few colors, because the Cubists wanted the viewer to concentrate on the shapes more than the color.

像许多分析立体派的作品一样，这幅画使用的色彩也很少，因为立体派希望观众将注意力集中在形状上，而不是颜色上。

It is considered to be among the first Cubist paintings, marking a radical break from the style of Western European art in years past.

它被认为是最早的立体主义绘画作品之一，标志着过去几年西欧艺术风格的根本性突破。

During this period, the Cubists started pasting real objects like newspaper, colored paper, or cloth onto the canvas in place of former planes of the subject, inventing a collage.

在此期间，立体主义者开始将诸如报纸，彩色纸或布之类的真实物体粘贴到画布上，以代替该物体以前的平面，从而发明了拼贴画。

She painted landscape like the landscape painter, abstractions like the cubist, and with the help of picture postcards sailing-boats lying at anchor like the Scandinavian.

她像风景画家一样画风景， 像立体派那样画抽象， 借助明信片画像斯堪的纳维亚人那样停泊的帆船。

Then I ran into the cubist I'd been with; he'd been married and divorced since we lived together, he'd given up cubism and become a surrealist.

然后我遇到了我一直在一起的立体主义者；自从我们同居以来，他结过婚又离过婚，他放弃了立体主义，成为了超现实主义者。

Cubism was popular during this time, and Stein was an early collector of cubist art, including the art of Pablo Picasso, who was a close friend of Stein.

立体主义在这一时期盛行， 斯坦因是立体派艺术的早期收藏家，其中包括斯坦因的密友毕加索的艺术作品。

The Cubists decided to break from the belief that a painting should be a window onto a realistic scene and instead show it as it truly is — a flat, two-dimensional surface.

立体主义者决定打破这样的信念，即一幅画应该是通向真实场景的一扇窗户 ，而 应将其真实地展现出来——平坦的二维表面。

As an art critic, Apollinaire explained the cubist and surrealist movements to the world, and rose to the defense of many young artists in the face of what was often a xenophobic and narrow-minded public.

作为一名艺术评论家，阿波利奈尔认为许多立体主义者和超现实主义者，对很多年轻艺术家有抵触情绪这源于他们对于外国文化入侵的恐惧以及他们狭隘的目光。