And now, the nibble on the ears.

现在 轻轻的互咬耳朵。

I feel a little naked on the ear.

我觉得耳朵上有点单调。

I'm feeling flirty, and then some Mud Pearl on the ear.

我想调情，然后在耳朵上抹点泥巴珍珠。

And there's enough anatomical characteristics on the ear that we can identify someone from the ear.

并且耳朵有很多结构上的特点，我们可以通过耳朵辨别出一个人。

One of them, perhaps pissed off at being relocated, flew out and stung me on the ear.

其中一只马蜂，大约是对被迫迁移感到愤怒，飞出来叮了我耳朵一口。

The third time on the ear doctor's table I struggled and screamed and thrashed and fought.

第三次来到耳科医生桌前的时候，我奋力挣扎，尖叫不止，又打又踢。

“Can you believe him? ” roared Ron as one of the remaining pixies bit him painfully on the ear.

“你能相信他吗？”罗恩嚷道，一只小精灵咬住了他的耳朵，很痛。

Oh, I see. By the way, what shall I do if changes in altitude create pressure on the ears?

哦，我找到了。再问一下，如果我的耳朵因为海拔升高而感到有压力怎么办？

' said Sowerberry; giving Oliver a shake, and a box on the ear.

’Sowerberry 说；给奥利弗摇一摇，然后在耳朵上打个耳光。

I'm an alien, I get pregnant off of kisses on the ear.

- 我是外星人， 亲吻耳朵会怀孕。

It squealed and tried to bite him on the ear.

它尖叫着试图咬他的耳朵。

" People are more open to wearing devices on the ears or on the wrists, " notes Zhang.

“人们更愿意将设备戴在耳朵或手腕上， ” 张指出。

That made him wonder if he could pick up entire facial expressions from cameras worn on the ears.

这让他想知道他是否可以从戴在耳朵上的摄像头中获取完整的面部表情。

When dialogue is right, we know. When it's wrong we also know—it jags on the ear like a badly tuned musical instrument.

如果对话写得对劲，我们能看出来。如果不对劲，我们也能分辨——就像没调准音的乐器，在你耳边嘈杂作响。

What for, indeed, you little rascal? said Hans, giving Gluck a box on the ear, as he followed his brother into the kitchen.

汉斯说你这个小混球，你在干嘛？给格拉克的耳朵来了一拳，之后他跟着哥哥们进入厨房。

The elder gentleman took the cry so ill, that he watched his opportunity, and smote the young gentleman on the ear.

年长的绅士听到这叫声非​​常难受，他抓住机会打了年轻绅士的耳朵。

Now are you going to let me by or do I need to smack you on the ear to help with your hearing?

现在 你们是让我进去还是要赏你们两个耳刮子才听得懂？

Writers often read aloud at this stage of the editing process, muttering or whispering to themselves, calling on the ear's experience with language.

作家经常在编辑过程的这个阶段大声朗读，自言自语或窃窃私语，呼唤耳朵对语言的体验。

One made a mistake, instantly a box on the ear; and, amid the laughter that ensued, came another box; and so on, faster and faster.

一个失误，瞬间耳光；在随后的笑声中， 又来了一个盒子。 等等，越来越快。

Franti paid no attention to him; the box on the ear was delivered: the fellow spun round three times, and from that time forth no one ever touched Nelli again.

勿兰谛不相信这话，当真尝了卡隆的老拳，一拳打去果然转了三个旋子。从此以后，再没有人敢捉弄耐利了。