Fluxus artists created works that were experimental, playful, and combined different art forms.

Fluxus 艺术家创作的作品具有实验性、趣味性， 并结合了不同的艺术形式。

Fluxus began before it was given a name.

激浪派在被命名之前就已经开始了。

Nam June Paik became part of an art movement known as Fluxus.

Nam June Paik 成为名为 Fluxus 的艺术运动的一部分。

Improvisation was assumed in the event scores produced by Fluxus artists.

即兴创作是在激浪派艺术家制作的乐谱中假设的。

Fluxus was deeply rooted in experimental music but also in philosophy, literature, theater, and poetry.

激浪派深深植根于实验音乐，但也植根于哲学、文学、戏剧和诗歌。

He was a founder of a provocative art movement known as Fluxus and was a key figure in the development of Happenings.

他是被称为激浪派的挑衅性艺术运动的创始人，也是事件发展的关键人物。

Maciunas was often the MC at Fluxus events, but it had a relatively diverse roster of members and participants.

麦修纳斯经常担任激浪派活动的主持人，但它的成员和参与者名单相对多样化。

Maciunas was the group's most prominent instigator and evangelist, and he published a Fluxus manifesto in 1963.

Maciunas 是该组织最著名的煽动者和传播者，他于 1963 年发表了激浪派宣言。

Fluxus was never a finite movement but a loose network of artists working among and between media, united by core values.

激浪派从来都不是一场有限的运动， 而是一个松散的艺术家网络， 艺术家们在媒体之间工作，并通过核心价值观团结起来。

The artists involved in Fluxus were immensely talented in the skill of taking the magic out of art, taking the ego out of it.

参与激浪派的艺术家在将魔力从艺术中取出，从艺术中去除自我的技能方面非常有才华。

And Fluxus flowed out of that, not a style but an approach-- prompts or event scores like this one, sometimes funny and often utterly unremarkable.

激浪派从中流出， 不是一种风格， 而是一种方法——像这样的提示或事件分数，有时很有趣， 但往往完全不起眼。

Like Dada, Fluxus rejected the status quo, upsetting norms and their focus on humble, everyday objects, presenting them in unexpected places and in unexpected ways.

像达达一样，激浪派拒绝现状，打破规范和他们对不起眼的日常物品的关注，以意想不到的地方和意想不到的方式呈现它们。

Most of what's left of Fluxus are printed pieces of paper and photographs, because that's all it was really-- event scores, instructions, kits, and publications, inexpensive to produce and distribute and to purchase.

激浪派剩下的大部分是印刷的纸片和照片，因为这就是它的全部 - 事件乐谱，说明，工具包和出版物，制作，分发和购买成本低廉。

So in the late 1960s, Knowles would often go to lunch at the Riss diner near the home she shared with other Fluxus artists, including Dick Higgins who was her husband at the time.

因此，在 20 世纪 60 年代末， 诺尔斯经常去她与其他激浪派艺术家合住的家附近的 Riss 小餐馆吃午饭，其中包括当时的丈夫迪克·希金斯 (Dick Higgins)。

It's been argued that Fluxus came to an end when Maciunas died in 1978 from pancreatic cancer, after which there was a Flux feast and wake where guests ate foods that were only black, white, or purple.

有人认为，1978 年 Maciunas 因胰腺癌去世后， Fluxus 就结束了，之后举行了 Flux 盛宴和守灵会， 客人们吃的食物只有黑色、白色或紫色。

Like I too can make Fluxus art happen by following Maciunas's tea variations, also on the New Year's Eve menu, which can be made from boiling wood or rope or leather or wool or paper.

就像我也可以通过遵循Maciunas的茶叶变化来使激浪派艺术发生，也可以在除夕菜单上， 它可以由沸腾的木头或绳索或皮革， 羊毛或纸制成。

Fluxus had a sense of humor, and as you should be able to tell by now, was not about the individual artist but about group practice, a more democratic form of art open to anyone who could follow some instructions.

激浪派有一种幽默感， 正如你现在应该能够看出的那样，它不是关于个体艺术家， 而是关于团体实践，这是一种更加民主的艺术形式， 向任何可以遵循某些指示的人开放。