But this identity is not the frozen concept that one finds in Schelling.

但这种同一性并不是人们在谢林那里发现的凝固的概念。

And this is what is wrong with Schelling, namely that he talks of the tragic too abstractly, without taking account of its dialectical, that is, historical, character.

这就是谢林的错误之处，即他过于抽象地谈论悲剧，而没有考虑其辩证的，即历史的特征。

One can find modern echoes of this view in Schelling, where Euripides is seen as a decadent poet who committed sacrilege with the myths and the use of the deus ex machina is evidence of his impiety.

人们可以在谢林那里找到这种观点的现代回声，在那里，欧里庇得斯被视为一位堕落的诗人， 他亵渎了神话， 使用 deus ex machina 是他不虔诚的证据。