It was the first computer with beautiful typography.

那是第一台拥有着美丽字体的计算机。

In tracing time, the authors cleverly change the typography and even paper stock from primitive to modern.

两位作者的设计匪夷所思，紧跟时代潮流，给印刷技术乃至从古至今一直在使用的造纸原料带来了挑战。

" A monochromatic infographic poster about typography depicting Chinese characters."

“一幅单色信息图海报，描绘汉字排版。”

You might not realize it, but you're all unconscious experts on typography.

你可能没有意识到，但你们都是无意识的印刷专家。

Now you might not realize it, but you're all unconscious experts on typography.

你们可能没有意识到这点，但你们在潜意识中都是排版专家。

Finally, there's the content of the logo, which involves the choice of typography.

最后是 logo 的内容，这涉及到版式的选择。

And we designed it all into the Mac. It was the first computer with beautiful typography.

于是，我们把这些东西全都设计进了Macintosh计算机中。这是第一台有这么漂亮的文字版式的计算机。

Now, once you understand the history and what happens with typography, you actually have a history of everything before you.

现在，一旦你了解了字体设计的历史和发展，事实上，你面前的一切都有历史。

Typography is the study of how fonts inhabit our world, they're the visual language of the words we use.

字体设计是研究字体如何在我们的世界中存在，它们是我们用词的视觉语言。

No bad typography, no confusion, no embarrassing mix-up.

没有糟糕的排版， 没有混乱，没有令人尴尬的混淆。

Better typography here arguably could have changed US history.

这里更好的排版可以说可以改变美国的历史。

That's typography speak for a representation of a character.

这就是字体代表人物的方式。

He even standardized capital letters  and certain forms of typography.

他甚至标准化了大写字母和某些形式的排版。

It ventured into various fields, from architecture and furniture design to typography and graphic design.

它涉足各个领域，从建筑和家具设计到排版和平面设计。

I learned about serif and sans-serif typefaces, about varying the space between different letter combinations, about what makes great typography great.

我学到了关于serifff和san seri字体的知识，还有改变不同的字母组合的间距，以及好的印刷式样之所以好的原因。

So would different typography have totally changed outcomes in any of these cases?

那么，在任何这些情况下， 不同的排版会完全改变结果吗？

That doesn’t make today’s genre-specific typography bad design.

这并没有使今天特定类型的排版成为糟糕的设计。

But here’s an idea: what if better typography could have prevented this whole snafu?

但这里有一个想法：如果更好的排版可以避免这整个混乱呢？

At the time, when people thought of German typography, they thought of fraktur style typography, and Renner thought it didn't work.

当时，当人们想到德国排版时，他们想到的是fraktur风格的排版， 而Renner认为它不起作用。

I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations about what makes great typography great.

我学习 Serif 字体和 San Serif 字体，关于不同字母组合中间隙空间的变化，关于怎么让好看的字体变得更好看。