By contrast, as I will try and show in Part 5, Euripides—the most tragic, tragikotatos—is the supremely tragicomic poet.

相比之下，正如我将在第 5 部分中尝试展示的那样，欧里庇得斯——最悲惨的悲剧诗人——是至高无上的悲喜剧诗人。

In T.Coraghessan Boyle's wonderful tragicomic novel East Is East, there is a description of a writer's colony in the woods that struck me as fairy-tale perfect.

T·C·博伊尔有本非常棒的悲喜剧小说叫《东即是东》，里面描写了一个作家的林间居留地，那环境在我看来就如童话故事般完美。

His tragicomic stories act as a form of mythology for the modern industrial age, employing dream logic to explore the relationships between systems of arbitrary power and the individuals caught up in them.

他的悲喜剧故事是现代工业时代神话的一种形式，运用梦幻逻辑来探索专制权力体系与陷入其中的个人之间的关系。