Perhaps for that reason space scenes throughout the 1950s and 1960s frequently relied on the audience's suspension of disbelief.

也许正是因为这个原因，整个 1950 年代和 1960 年代的太空场景经常会依赖于观众的“自愿搁置怀疑”。

I would say the main thing is a kind of a willing suspension of disbelief.

我想说的是， 最主要的是一种愿意中止怀疑的态度。

However, ultimately, in the show business, what matters is how the viewers perceive the end result, whether they think it looks fake, or if it keeps their suspension of disbelief.

然而最终在展示成果时，重要的是观众是如何看待最终成果的，他们是觉得那看起来很假还是从未起疑。

Stuff was either real, 100% suspension of disbelief… even Oliver; it's like, oh, okay, this is just… or Annie, a similar film; it was like, I was just suspending my disbelief and going along with it.

东西要么是真实的，要么100%让人怀疑… … 甚至奥利弗；就像，哦，好吧，这只是… … 或者安妮，一部类似的电影；就好像，我只是暂时搁置我的怀疑并接受它。