Hurston was a novelist and folklorist who was part of the Harlem Renaissance.

赫斯顿是一名小说家和民俗学家，是哈莱姆文艺复兴运动的一员。

But Hurston and Hughes working relationship soured and the play was never finished.

但是后来赫斯顿和休斯的工作关系恶化了 所以这部剧一直没有写完。

Hurston, a folklorist and novelist, was an early winner of the opportunity playwriting contest.

赫斯顿是一位民俗学家和小说家 是早期机会剧本创作比赛的获胜者。

All of the people of Eatonville were African-American. The town shaped Hurston's life and her writing.

伊顿维尔的所有人都是非裔美国人。这个小镇塑造了赫斯顿的生活和写作。

Today, we tell about writer Zora Neale Hurston. She was one of the most recognized black women writers.

今天我们讲述作家佐拉·尼尔·赫斯顿的故事。她是最著名的黑人女作家之一。

Many young people in American schools are reading the book. In addition, two of Hurston's plays have been produced.

许多美国学校的年轻人正在读这本书。此外，赫斯顿还创作了两部戏剧。

Because of Walker's efforts, Hurston's work was rediscovered in the nineteen seventies.

由于沃克的努力，赫斯顿的作品在20世纪70年代被重新发现。

Many blacks also rejected Hurston's political ideas and her support for racial separation laws in the South.

很多黑人也排斥赫斯顿的政治观点和她对男方种族隔离法的支持。

Hurston received praise for her work by both blacks and whites. But not everyone enjoyed her work.

赫斯顿因她的作品受到了黑人和白人的赞赏。但是，不是每个人都喜欢她的作品。

Hurston was another famous writer of the Harlem Renaissance. West moved to Harlem, too.

赫斯顿是另外一名哈莱姆文艺复兴时期著名的作家。韦斯特也搬到了哈莱姆。

Hurston became the first black student to attend Barnard College in New York. She studied with anthropologist Franz Boas.

赫斯顿成为纽约巴纳德学院的第一位黑人学生。她和人类学家弗朗茨·博阿斯一起研究。

Hurston received financial support for most of her research from a wealthy woman in New York named Charlotte Osgood Mason.

赫斯顿的大部分研究都得到了纽约一位名叫夏洛特·奥斯古德·梅森的富有女性的资助。

In nineteen fifty, Hurston returned to Florida. Although her work was quite popular, she was unable to make a living with her writing.

1950年，赫斯顿回到了佛罗里达州。尽管她的作品非常受欢迎，但是她不能凭此谋生。

In nineteen seventy-three, Alice Walker placed a marker in Fort Pierce, Florida, where Hurston is believed to be buried.

1973年，爱丽丝·沃克在佛罗里达州皮尔斯堡放置了一个标记，人们认为赫斯顿就葬在那里。

In nineteen forty-two, Hurston published a story about her own life, called Dust Tracks on a Road. But the book was widely criticized.

1942年，赫斯顿发表了一个关于她自己生活的故事，故事名为《公路上尘土飞扬》。但是这本书遭到了广泛的批评。

But through her empathetic storytelling, Hurston invites us into Janie's life, her life, and the lives of so many other women.

但通过她感同身受的故事讲述，赫斯顿邀请我们走进珍妮的生活，她的生活，以及许多其他女性的生活。

During the next several years, Hurston traveled in Florida and the Caribbean to collect and write stories about what she saw.

在接下来的几年里，赫斯顿游历了佛罗里达州和加勒比海地区，收集并撰写她所看到的故事。

Hurston, however, made no apologies for her work. She said the richness of black culture existed to be enjoyed, celebrated and made into literature.

然而，赫斯顿并没有为她的作品道歉。她表示，黑人文化的丰饶应被享受、庆祝、写进文学。

Perhaps more than any specific details, Hurston's experiences of being a Black woman in America at this time are more evident in the novel's themes.

赫斯顿在当时的美国作为黑人女性的经历在小说的主题中更是体现得淋漓尽致。

Hurston was well known for her writing. She also became known for her outspoken opinions, her clothing and the great pride she had in herself and her race.

赫斯顿以她的写作而闻名。她也以她直言不讳的意见、她的衣服和对自己与自己的种族感到极大的自豪而知名。