英语词汇“Arthur Symons”造句的方法、技巧、例句及翻译-英语例句辞典

According to his friend and fellow Rhymer, Arthur Symons, Ernest Dowson's favourite line of was Poe's, "The viol, the violet and the vine." Poem of the week: Non sum qualis eram bonae sub regno Cynarae by Ernest Dowson 2011-03-14T11:48:11Z

Electrified by what he read of Laforgue in Arthur Symons’s “The Symbolist Movement in Literature,” the Harvard undergrad ordered the French poet’s “Oeuvres complétes” from Paris. T.S. Eliot’s American childhood 2015-04-15T04:00:00Z

An illuminating essay by Arthur Symons places George Meredith among the decadents, the murderers of their mother tongue, the men who shatter syntax to serve their artistic ends. Unicorns 2012-03-14T02:00:26.677Z

When Dowson took hashish during his student days, Mr. Arthur Symons tells us, it was before a large and festive company of friends. The Circus, and Other Essays and Fugitive Pieces 2012-03-12T03:00:26.180Z

Turn from Robert Bridges's poems of outdoor life—the noble old English style—to Yeats's dim visions, or to Arthur Symons's harpsichord dreaming through the room, and you have the difference between yesterday and to-day. Life and Writings of Maurice Maeterlinck 2012-02-19T03:00:16.920Z

And another critic added that the hat and feathers were supplied by Arthur Symons. The Critical Game 2012-01-05T03:00:38.527Z

It is true, as Mr Arthur Symons very clearly pointed out some years ago, that Oscar Wilde wrote much that was true, new, and valuable about art and the artist. Oscar Wilde 2011-12-10T03:00:14.120Z

This tiny etched portrait is by Mr. Arthur Symons, who practically introduced Huysmans to English-speaking letters. Unicorns 2012-03-14T02:00:26.677Z

Mr. Arthur Symons reminds us that Rossetti’s first water-colour was an illustration of this poem, and has for subject and title the line “Which is the poison to poison her, prithee?” The Browning Cyclop?dia A Guide to the Study of the Works of Robert Browning 2011-07-16T02:00:19.397Z

Of Hawthorne, Arthur Symons wrote: "He is haunted by what is obscure, dangerous, and on the confines of good and evil." Arthur Machen A Novelist of Ecstasy and Sin 2011-03-09T03:00:47.587Z

This play is accessible to the general public at present in Colonel Cunningham's edition of Massinger, and in Mr. Arthur Symons's edition in “The Mermaid Series.” Philip Massinger 2011-02-25T03:01:15.270Z

Even Arthur Symons calls such warning only poetical substance. The Literature of Ecstasy 2011-02-16T03:00:39.843Z

"Cities, like individuals, have," says Arthur Symons, "a personality and individuality quite like human beings." The Cathedrals of Southern France 2011-02-10T03:00:54.597Z

Of somewhat stronger quality even than most of these songs are "The Grey Wolf," to words by Arthur Symons, "The Soldier," a setting of Rupert Brooke's well known sonnet, and "Ethiopia Saluting the Colors." The Negro in Literature and Art in the United States 2011-01-26T03:00:29.717Z

However, he called Arthur Symons back from the door to say, “If contrary to our expectations The Savoy should have a large sale, we should be very glad to see you again.” The Trembling of the Veil

Give up Paris, you will never create anything by reading Racine, and Arthur Symons will always be a better critic of French literature. The Cutting of an Agate

It is an error to believe that pantomime is merely a way of doing without words," writes Arthur Symons," that it is merely the equivalent of words. Interpreters

Mr. Arthur Symons rightly calls this book “a Punch and Judy show of the comedy of civilization.” Devil Stories An Anthology

Tolstoy is what the French call un cérébral, which, as Arthur Symons points out, is by no means a man of intellect. Ivory Apes and Peacocks

Arthur Symons brought back from Paris stories of Verhaeren and Maeterlinck, and so brought me confirmation, as I thought, and I began to announce a poetry like that of the Sufi’s. The Trembling of the Veil

Andrew Lang and Mr. Arthur Symons led the chorus of disapproval. The Hound of Heaven

Somewhere between the auditorium and the stage, in a passageway, I encountered Mrs. Patrick Campbell, who, a short time before, had appeared at the Garden Theatre in Arthur Symons's translation of von Hofmannsthal's drama. Interpreters

There is an introduction to the book by Mr Arthur Symons, giving a few particulars of the life of the authoress. India and the Indians

When Rodin was told by Arthur Symons that William Blake saw visions, the sculptor, after looking at the drawings, replied: "Yes, he saw them once; he should have seen them three or four times." Ivory Apes and Peacocks

Born in 1865, Arthur Symons' first few publications revealed an intellectual rather than an emotional passion. Modern British Poetry

Vladimir de Pachmann specializes in Chopin playing, but Arthur Symons once wrote that "he is the greatest living pianist, because he can play certain things better than any other pianist can play anything." The Merry-Go-Round

Beardsley was not slain, he was not defeated, at once he reappeared on the battle-field with the Savoy, Arthur Symons his fellow editor. Nights Rome, Venice, in the Aesthetic Eighties; London, Paris, in the Fighting Nineties

It is true his very first book won the highest praise from critics no less distinguished than Coventry Patmore, Mr. Arthur Symons, and Mr. H.D. Personality in Literature

Arthur Symons has spoken of his "icy ecstasy" and Maurice Maeterlinck described his laughter as "laughter of the soul." Ivory Apes and Peacocks

Arthur Symons deserted his hectic Muse, Richard Le Gallienne abandoned his preciosity, and the group began to disintegrate. Modern British Poetry

I am not sure," writes Arthur Symons in his admirable essay on Sarah Bernhardt, "that the best moment to study an artist is not the moment of what is called decadence. The Merry-Go-Round

Arthur Symons wrote of him, I have forgotten where, that he admired himself enormously. Nights Rome, Venice, in the Aesthetic Eighties; London, Paris, in the Fighting Nineties

My Dear Mr. Campbell,—I have read enough of Mr. Arthur Symons' clever book on Browning to entitle me to judge of it as well as if I had read the whole. Figures of Several Centuries

"To read him," says Arthur Symons, "is to shudder on the edge of a gulf, in a silent darkness." A Book of Prefaces

Arthur Symons and George Moore had often discussed the relations between art and life across his fireplace. The Loom of Youth

Arthur Symons, for instance, a great friend of Moore's at that time, is scarcely mentioned, and with reason: he has no part in the form of the book; its plot is not concerned with him. The Merry-Go-Round

Mr. Sidney Colvin in looking over the criticisms of Mr. Stephen Phillips' poetry recently discovered in three periodicals convincing parallels that led Mr. Arthur Symons to confess to the authorship of all three critiques. Early Reviews of English Poets

Expeditions conducted by Mr. Arthur Symons might have been organized in order to view him at some popular café. Masques & Phases

"His meanest creatures," says Arthur Symons, "have in them a touch of honour, of honesty, or of heroism; his heroes have always some error, weakness, or mistake, some sin or crime, to redeem." A Book of Prefaces

And I am ready to admit that they are more useful than many miles of appreciation in the delicate balancing manner of, say, an Arthur Symons. Books and Persons Being Comments on a Past Epoch 1908-1911

His chalky whites, poisonous greens, violet shadows, discordant passages of lighting are, as Arthur Symons puts it: Sharp and dim, gray and green, the colour of Toledo. Promenades of an Impressionist

Mr. Arthur Symons, in a recent essay, refers scornfully to those who say that "the dazzling brilliance of Swinburne's form is apt to disguise a certain thinness or poverty of substance." Old and New Masters

There seems hardly anything left even for Mr. Arthur Symons to write. Masques & Phases

At the centre of his web," says Arthur Symons, "sits an elemental sarcasm discussing human affairs with a calm and cynical ferocity.... A Book of Prefaces

Some lines of Arthur Symons came to her notice--lines which she tried in vain not to memorize. The Precipice

As Arthur Symons says, his portraits "have all the brooding Spanish soul with its proud self-repression." Promenades of an Impressionist

In choice of subject matter, Arthur Symons sometimes suggests the Cavalier poets. Halleck's New English Literature

I do not know that the Savoy exactly healed the breach between Beardsley and the public, but it gave the artist another opportunity; and Mr. Arthur Symons an occasion for song. Masques & Phases

Her faith that the trial by combat between Gauthier and Gismond must end in Gismond's victory and her vindication reflects most truly, as Arthur Symons has pointed out, the medieval atmosphere of chivalrous France. Dramatic Romances

It has been said by Mr. Arthur Symons that 'all art is a mode of escape.' Seven Men

Mr. Arthur Symons has recently said: "`Christabel' is composed like music; you might set at the side of each section, especially of the opening, `largo vivacissimo', and as the general expressive signature, `tempo rubato'." A Biography of Sidney Lanier

All I can remember on the spur of the moment is Mr. Arthur Symons’ line about arc lamps: “Hung with the globes of some unnatural fruit.” Notes on Life and Letters

An essay, which Mr. Arthur Symons published in 1897, has always been recognised as far the most sympathetic and introspective account of this strange artist’s work. Masques & Phases

With these omissions the monograph might have been smaller; but it would have been more truly representative of Beardsley’s genius and Mr. Arthur Symons’s taste. Masques & Phases

Again, why is Mr. Arthur Symons so precise about forgetting the date of Beardsley’s expulsion from the Yellow Book? Masques & Phases

It certainly was in Beardsley’s case, but I think the other p. 155and stronger side of his character should, in justice to his genius, be insisted upon, as Mr. Arthur Symons insisted upon it. Masques & Phases

‘It was at Arques,’ says Mr. Arthur Symons . . . ‘that I had the only serious, almost solemn conversation I ever had with Beardsley.’ Masques & Phases

Moreover, I do not believe Mr. Arthur Symons admires them any more than I do; he never mentions them in his text. Masques & Phases

‘A wish to épater le bourgeois,’ says Mr. Arthur Symons, ‘is a natural one.’ Masques & Phases

Mr. Arthur Symons remembers that he intended to bring out a new volume of Imaginary Portraits. Masques & Phases

单词	Arthur Symons
例句	Arthur Symons According to his friend and fellow Rhymer, Arthur Symons, Ernest Dowson's favourite line of was Poe's, "The viol, the violet and the vine." Poem of the week: Non sum qualis eram bonae sub regno Cynarae by Ernest Dowson 2011-03-14T11:48:11Z Electrified by what he read of Laforgue in Arthur Symons’s “The Symbolist Movement in Literature,” the Harvard undergrad ordered the French poet’s “Oeuvres complétes” from Paris. T.S. Eliot’s American childhood 2015-04-15T04:00:00Z An illuminating essay by Arthur Symons places George Meredith among the decadents, the murderers of their mother tongue, the men who shatter syntax to serve their artistic ends. Unicorns 2012-03-14T02:00:26.677Z When Dowson took hashish during his student days, Mr. Arthur Symons tells us, it was before a large and festive company of friends. The Circus, and Other Essays and Fugitive Pieces 2012-03-12T03:00:26.180Z Turn from Robert Bridges's poems of outdoor life—the noble old English style—to Yeats's dim visions, or to Arthur Symons's harpsichord dreaming through the room, and you have the difference between yesterday and to-day. Life and Writings of Maurice Maeterlinck 2012-02-19T03:00:16.920Z And another critic added that the hat and feathers were supplied by Arthur Symons. The Critical Game 2012-01-05T03:00:38.527Z It is true, as Mr Arthur Symons very clearly pointed out some years ago, that Oscar Wilde wrote much that was true, new, and valuable about art and the artist. Oscar Wilde 2011-12-10T03:00:14.120Z This tiny etched portrait is by Mr. Arthur Symons, who practically introduced Huysmans to English-speaking letters. Unicorns 2012-03-14T02:00:26.677Z Mr. Arthur Symons reminds us that Rossetti’s first water-colour was an illustration of this poem, and has for subject and title the line “Which is the poison to poison her, prithee?” The Browning Cyclop?dia A Guide to the Study of the Works of Robert Browning 2011-07-16T02:00:19.397Z Of Hawthorne, Arthur Symons wrote: "He is haunted by what is obscure, dangerous, and on the confines of good and evil." Arthur Machen A Novelist of Ecstasy and Sin 2011-03-09T03:00:47.587Z This play is accessible to the general public at present in Colonel Cunningham's edition of Massinger, and in Mr. Arthur Symons's edition in “The Mermaid Series.” Philip Massinger 2011-02-25T03:01:15.270Z Even Arthur Symons calls such warning only poetical substance. The Literature of Ecstasy 2011-02-16T03:00:39.843Z "Cities, like individuals, have," says Arthur Symons, "a personality and individuality quite like human beings." The Cathedrals of Southern France 2011-02-10T03:00:54.597Z Of somewhat stronger quality even than most of these songs are "The Grey Wolf," to words by Arthur Symons, "The Soldier," a setting of Rupert Brooke's well known sonnet, and "Ethiopia Saluting the Colors." The Negro in Literature and Art in the United States 2011-01-26T03:00:29.717Z However, he called Arthur Symons back from the door to say, “If contrary to our expectations The Savoy should have a large sale, we should be very glad to see you again.” The Trembling of the Veil Give up Paris, you will never create anything by reading Racine, and Arthur Symons will always be a better critic of French literature. The Cutting of an Agate It is an error to believe that pantomime is merely a way of doing without words," writes Arthur Symons," that it is merely the equivalent of words. Interpreters Mr. Arthur Symons rightly calls this book “a Punch and Judy show of the comedy of civilization.” Devil Stories An Anthology Tolstoy is what the French call un cérébral, which, as Arthur Symons points out, is by no means a man of intellect. Ivory Apes and Peacocks Arthur Symons brought back from Paris stories of Verhaeren and Maeterlinck, and so brought me confirmation, as I thought, and I began to announce a poetry like that of the Sufi’s. The Trembling of the Veil Andrew Lang and Mr. Arthur Symons led the chorus of disapproval. The Hound of Heaven Somewhere between the auditorium and the stage, in a passageway, I encountered Mrs. Patrick Campbell, who, a short time before, had appeared at the Garden Theatre in Arthur Symons's translation of von Hofmannsthal's drama. Interpreters There is an introduction to the book by Mr Arthur Symons, giving a few particulars of the life of the authoress. India and the Indians When Rodin was told by Arthur Symons that William Blake saw visions, the sculptor, after looking at the drawings, replied: "Yes, he saw them once; he should have seen them three or four times." Ivory Apes and Peacocks Born in 1865, Arthur Symons' first few publications revealed an intellectual rather than an emotional passion. Modern British Poetry Vladimir de Pachmann specializes in Chopin playing, but Arthur Symons once wrote that "he is the greatest living pianist, because he can play certain things better than any other pianist can play anything." The Merry-Go-Round Beardsley was not slain, he was not defeated, at once he reappeared on the battle-field with the Savoy, Arthur Symons his fellow editor. Nights Rome, Venice, in the Aesthetic Eighties; London, Paris, in the Fighting Nineties It is true his very first book won the highest praise from critics no less distinguished than Coventry Patmore, Mr. Arthur Symons, and Mr. H.D. Personality in Literature Arthur Symons has spoken of his "icy ecstasy" and Maurice Maeterlinck described his laughter as "laughter of the soul." Ivory Apes and Peacocks Arthur Symons deserted his hectic Muse, Richard Le Gallienne abandoned his preciosity, and the group began to disintegrate. Modern British Poetry I am not sure," writes Arthur Symons in his admirable essay on Sarah Bernhardt, "that the best moment to study an artist is not the moment of what is called decadence. The Merry-Go-Round Arthur Symons wrote of him, I have forgotten where, that he admired himself enormously. Nights Rome, Venice, in the Aesthetic Eighties; London, Paris, in the Fighting Nineties My Dear Mr. Campbell,—I have read enough of Mr. Arthur Symons' clever book on Browning to entitle me to judge of it as well as if I had read the whole. Figures of Several Centuries "To read him," says Arthur Symons, "is to shudder on the edge of a gulf, in a silent darkness." A Book of Prefaces Arthur Symons and George Moore had often discussed the relations between art and life across his fireplace. The Loom of Youth Arthur Symons, for instance, a great friend of Moore's at that time, is scarcely mentioned, and with reason: he has no part in the form of the book; its plot is not concerned with him. The Merry-Go-Round Mr. Sidney Colvin in looking over the criticisms of Mr. Stephen Phillips' poetry recently discovered in three periodicals convincing parallels that led Mr. Arthur Symons to confess to the authorship of all three critiques. Early Reviews of English Poets Expeditions conducted by Mr. Arthur Symons might have been organized in order to view him at some popular café. Masques & Phases "His meanest creatures," says Arthur Symons, "have in them a touch of honour, of honesty, or of heroism; his heroes have always some error, weakness, or mistake, some sin or crime, to redeem." A Book of Prefaces And I am ready to admit that they are more useful than many miles of appreciation in the delicate balancing manner of, say, an Arthur Symons. Books and Persons Being Comments on a Past Epoch 1908-1911 His chalky whites, poisonous greens, violet shadows, discordant passages of lighting are, as Arthur Symons puts it: Sharp and dim, gray and green, the colour of Toledo. Promenades of an Impressionist Mr. Arthur Symons, in a recent essay, refers scornfully to those who say that "the dazzling brilliance of Swinburne's form is apt to disguise a certain thinness or poverty of substance." Old and New Masters There seems hardly anything left even for Mr. Arthur Symons to write. Masques & Phases At the centre of his web," says Arthur Symons, "sits an elemental sarcasm discussing human affairs with a calm and cynical ferocity.... A Book of Prefaces Some lines of Arthur Symons came to her notice--lines which she tried in vain not to memorize. The Precipice As Arthur Symons says, his portraits "have all the brooding Spanish soul with its proud self-repression." Promenades of an Impressionist In choice of subject matter, Arthur Symons sometimes suggests the Cavalier poets. Halleck's New English Literature I do not know that the Savoy exactly healed the breach between Beardsley and the public, but it gave the artist another opportunity; and Mr. Arthur Symons an occasion for song. Masques & Phases Her faith that the trial by combat between Gauthier and Gismond must end in Gismond's victory and her vindication reflects most truly, as Arthur Symons has pointed out, the medieval atmosphere of chivalrous France. Dramatic Romances It has been said by Mr. Arthur Symons that 'all art is a mode of escape.' Seven Men Mr. Arthur Symons has recently said: "`Christabel' is composed like music; you might set at the side of each section, especially of the opening, `largo vivacissimo', and as the general expressive signature, `tempo rubato'." A Biography of Sidney Lanier All I can remember on the spur of the moment is Mr. Arthur Symons’ line about arc lamps: “Hung with the globes of some unnatural fruit.” Notes on Life and Letters An essay, which Mr. Arthur Symons published in 1897, has always been recognised as far the most sympathetic and introspective account of this strange artist’s work. Masques & Phases With these omissions the monograph might have been smaller; but it would have been more truly representative of Beardsley’s genius and Mr. Arthur Symons’s taste. Masques & Phases Again, why is Mr. Arthur Symons so precise about forgetting the date of Beardsley’s expulsion from the Yellow Book? Masques & Phases It certainly was in Beardsley’s case, but I think the other p. 155and stronger side of his character should, in justice to his genius, be insisted upon, as Mr. Arthur Symons insisted upon it. Masques & Phases ‘It was at Arques,’ says Mr. Arthur Symons . . . ‘that I had the only serious, almost solemn conversation I ever had with Beardsley.’ Masques & Phases Moreover, I do not believe Mr. Arthur Symons admires them any more than I do; he never mentions them in his text. Masques & Phases ‘A wish to épater le bourgeois,’ says Mr. Arthur Symons, ‘is a natural one.’ Masques & Phases Mr. Arthur Symons remembers that he intended to bring out a new volume of Imaginary Portraits. Masques & Phases
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