| 单词 | James Abbott McNeill Whistler |
| 例句 | The two etchings by James Abbott McNeill Whistler that start the exhibition focus with gritty realism on dockworkers on the River Thames in London. | Long Island: ‘Rabble-Rousers: Art, Dissent, and Social Commentary,’ at the Heckscher Museum of Art 2013-12-27T21:15:33Z In the late 19th century, James Abbott McNeill Whistler performed this role, entertaining the Victorians as much with his aesthetic persona and attitudes as with his paintings. Hold that tweet! Artists should stick to the day job 2012-05-23T14:25:04Z James Abbott McNeill Whistler was by far the greatest painter linked with the aesthetic movement. Beautiful rebels: the daring art of the aesthetic movement 2011-03-28T20:31:01Z The Gilded Age painter James Abbott McNeill Whistler felt so exploited by his patron, Frederick Richards Leyland, that he vandalized a wall in Leyland’s home. Suffering for Your Art? Maybe You Need a Patron 2017-05-17T04:00:00Z Also sprinkled throughout the show are prints by well-known artists including Pierre-Auguste Renoir, James Abbott McNeill Whistler, Marc Chagall and Salvador Dali. Art center hosts in-person visitors during COVID-19 pandemic 2020-10-19T04:00:00Z The other was the black-clad lady portrayed in “Whistler’s Mother”—the popular name of the masterpiece that James Abbott McNeill Whistler painted in 1871 and titled “Arrangement in Grey and Black, No. 1.” Why Is “Whistler’s Mother” So Iconic? 2015-08-31T04:00:00Z And this brings us to the most eccentric, the most striking, and in some respects the greatest artist of his time—James Abbott McNeill Whistler. American Men of Mind And they called the name of the child James Abbott McNeill Whistler—an awful big name for a very small baby. Little Journeys to the Homes of the Great - Volume 06 Little Journeys to the Homes of Eminent Artists |
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