| 单词 | Jacques Offenbach |
| 例句 | Giacomo Meyerbeer and Jacques Offenbach - the noms de plume, in fact, of two German Jews originally named Jacob - took the Paris opera world by storm in the 1830s and ’40s. The Story of Music 2012-12-25T00:00:00Z Jacques Offenbach never finished “The Tales of Hoffmann,” his magic-infused, dark comic opera inspired by the work of the Prussian fantasy writer E.T.A. Opera, Ballet and More Treats for Fall: Global Arts Guide 2016-10-26T04:00:00Z Seattle Opera closes its season — also general director Speigh Jenkins’ last one with the company — with a production of the Jacques Offenbach tale about a writer and the unobtainable women in his life. Week Ahead: Maritime Festival, Cinco de Mayo, Cassandra Wilson 2014-04-30T21:25:24Z His libretto for Jacques Offenbach's Orpheus in the Underworld, in which the character of Public Opinion was clearly modelled on Margaret Thatcher, was performed by English National Opera. Snoo Wilson obituary 2013-07-05T17:57:52Z In the genteel, cultivated and fashionable crowd, Manet painted himself and his friends: the poets Charles Baudelaire and Théophile Gautier, and composer Jacques Offenbach. How Hugo and Manet unveiled Paris's poor and privileged faces 2013-01-26T19:30:01Z The specter of Bluebeard has also inspired operas by Bela Bartok and Jacques Offenbach and turns up in an untitled 1917 sonnet from the poet Edna St. Vincent Millay. Film: ?Bluebeard? Director?s Take on Dark Folk Tale 2010-03-24T22:31:00Z Kathryn Lewek’s performance as Eurydice in a raunchy production of Jacques Offenbach’s Orpheus in the Underworld at the Salzburg festival has been widely praised. US soprano Kathryn Lewek accuses opera critics of body-shaming 2019-08-28T04:00:00Z Granted Jacques Offenbach is not in need the same boost, but he’s still a neglected composer, especially in his native Germany. Turandot and Offenbach At The Bregenz Festival 2015-08-02T04:00:00Z “This other name was Jacques Offenbach,” adds Wagner. Life of Wagner Biographies of Musicians Jacques Offenbach By adding still another third we have the dominant eleventh. Musical Memories I had had the utmost difficulty in understanding the end of his story, because he interjected, every other moment, couplets from Jacques Offenbach's best score. Atlantida |
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