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单词 Hebbel
例句 Hebbel
Father wants me to start reading books by Hebbel and other well-known German writers. The Diary of a Young Girl 1997-02-03T00:00:00Z
For the dance, first performed at the Hebbel Theater in Berlin in 2000, Ms. Suryodarmo wears a short black dress and red heels. Indonesia’s Maverick Performance Artist 2014-06-12T04:00:00Z
I'm writing this on the way back from presenting Forced Entertainment's improvised marathon story performance And On the Thousandth Night ... at Hebbel am Uffer in Berlin. Tim Etchells on performance: Improv storytelling's peculiar joy 2010-04-13T11:42:00Z
And, in his presentation of the state-of-the-nation argument, Rattigan follows Hebbel's classic injunction to dramatists that "in a good play, everyone is right". Less Than Kind 2011-01-24T18:09:40Z
“I would say it is crucially important to deal with the isolation by getting a support network,” Hebbel said, “no matter how you frame that around you.” Father publishes his daughter’s cancer diary after her death 2018-04-15T04:00:00Z
The German writer Friedrich Hebbel once said: "In a good play, everyone is right." Woody Allen row and 'celebrity abuse' 2014-02-05T00:28:55Z
In 1839 Hebbel left Munich and wandered back to Hamburg on foot, where he resumed his relations with Elsie Lensing, whose self-sacrificing assistance had helped him over the darkest days in Munich. Encyclopaedia Britannica, 11th Edition, Volume 13, Slice 2 "Hearing" to "Helmond" 2012-04-25T02:00:53.567Z
Hebbel, especially, must be regarded as the most original and revolutionary German dramatist of the 19th century. Encyclopaedia Britannica, 11th Edition, Volume 11, Slice 7 "Geoponici" to "Germany" 2011-09-26T02:00:25.313Z
The typical occasion of the outbreak of a panic is very much as it is represented in Nestroy's parody of Hebbel's play about Judith and Holofernes. Group Psychology and The Analysis of The Ego 2011-04-17T02:00:02.907Z
A support group can often consist of friends, family or people from a church community, Hebbel sad. Father publishes his daughter’s cancer diary after her death 2018-04-15T04:00:00Z
Later, he translated Schiller’s Maid of Orleans, his ballads, some of the lyrics of Uhland, Goethe, Hebbel, and a great quantity of other foreign poems. An Outline of Russian Literature
In many of his lyric poems, and especially in Mutter und Kind, published in 1859, Hebbel showed that his poetic gifts were not restricted to the drama. Encyclopaedia Britannica, 11th Edition, Volume 13, Slice 2 "Hearing" to "Helmond" 2012-04-25T02:00:53.567Z
The German classics, Goethe and Schiller, alternate with Shakespeare; the modern poetic dramas, the plays of Hebbel, Grillpartzer, the sparkling comedies of Schnitzler are interchanged with translations of Ibsen, Bernard Shaw, Pinero, etc. Confessions of an Opera Singer
That such a great dramatist as Hebbel was also a scion of this stock seems almost exceptional. The German Classics of the Nineteenth and Twentieth Centuries Masterpieces of German Literature Vol. 19
Hebbel relates of himself, how zealously as a little boy he attended school, simply in order to meet in the class the girl he loved. The Sexual Life of the Child
Schnock, a picture of life in the Netherlands, is by Frederich Hebbel, a man of some distinction, as a dramatic writer, as we have noticed elsewhere. The International Magazine, Volume 2, No. 3, February, 1851
Even forty years later Friedrich Hebbel, in 1844, paid a visit to the Industrial Exposition in Paris. Germany and the Germans From an American Point of View
To comfort himself he read Hebbel's Life; and for a time he thought of going to America. Musicians of To-Day
Hebbel's plays are historical: character in its setting of circumstances is the only character really and fully comprehensible. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Most charmingly Hebbel describes his first experience of love, when but four years old. The Sexual Life of the Child
It is precisely those poets that are especially characterized by German peculiarities who have also trained themselves in the use of foreign subjects and forms: thus did Uhland, Mörike, Hebbel, and all the Romanticists. The German Classics of the Nineteenth and Twentieth Centuries, Volume 01 Masterpieces of German Literature Translated into English.
Our world is as my brother Hebbel said: a wound of God. The Bride of Dreams
At the town theatre, Hebbel's Judith was being performed, with Clara Ziegler in the leading part. Recollections of My Childhood and Youth
Similarly, in the conception of the story of Genoveva, Hebbel shifted attention from the saint to the sinner. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
These two German poets, but Hebbel particularly, passed from romanticism to realism, and so on to mysticism, in a manner fascinating to Ibsen, whom it is possible that they influenced. Henrik Ibsen
However, he did succeed in saying that he composed, that he had had an overture in the Judith of Hebbel performed. Jean-Christophe, Volume I
Nearly all of these have already vanished as so much chaff from the winnowing-mill of time: only two, perhaps, are now considered seriously, namely, Hebbel's Die Nibelungen and Richard Wagner's Ring des Nibelungen. The Nibelungenlied Translated into Rhymed English Verse in the Metre of the Original
The aesthetic theory of the German Romanticists is an illustration of this; Hebbel and Wagner are other striking examples. The Principles of Aesthetics
Woe to him, said Hebbel, who disturbs the sleep of the world! The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
He afterwards invited me to hear him read his libretto, which was a combination of the styles of Hebbel and Tieck. My Life — Volume 1
The poet Hebbel must be mentioned among the special acquaintances I made in Vienna during this difficult epoch. My Life — Volume 2
Only a brave or naive mind could have calmly contemplated a labor from which great dramatists, men as great as Hebbel, shrank back in alarm. A Second Book of Operas
Remember me most respectfully and warmly to Hebbel. Letters of Franz Liszt -- Volume 1 from Paris to Rome: Years of Travel as a Virtuoso
Herewith Hebbel's trilogy is at once distinguished from such other modern treatments of the subject as Geibel's Brunhild or Wagner's Nibelungen Ring. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
These men were not only contemporary with Hebbel and Ludwig, but may indeed be called their artistic counterparts. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
When I heard, some years later, that Hebbel had died of softening of the bones, I understood why he had affected me so unpleasantly. My Life — Volume 2
But Friedrich Hebbel's childhood, full of hardship as it was, was not cheerless. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
The influence of Schiller, however, marks no epoch in the poetic development of Hebbel; it dominates the period of adolescence. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel leaned somewhat upon Norse myths in his reproduction of them, though it was part of his plan to preserve a certain indistinctness and mystery in these undramatic presuppositions. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel came to Hamburg as a young man of twenty-two, far ahead of his years in knowledge, judgment, and capacity, but still unacquainted with rudimentary things belonging to higher education, such as Latin grammar. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
I felt no particular desire to repeat my visit, especially after his return call in my absence, when he left a card announcing himself as 'Hebbel, chevalier de plusieurs ordres!' My Life — Volume 2
In the fall of 1844 Hebbel journeyed from Paris to Rome. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
The tragedy of the Nibelungen Hebbel approached somewhat differently from the other subjects that he treated. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
But Hebbel did not appeal to his sovereign in vain. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel was now finishing his apprenticeship, wisely restraining the impulse to dramatize until in the less exacting forms he had mastered the means of expression. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
I prepared myself for meeting Hebbel by taking considerable trouble to read his dramatic pieces beforehand, doing my best to think that they were good and that a closer acquaintance with the author was desirable. My Life — Volume 2
Nevertheless, Hebbel was no longer an unknown quantity in the world of letters when, in the early spring of 1839, he decided to return to Hamburg. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
But Hebbel was really going home, going back to Elise, after having accomplished the purpose of his pilgrimage, even though for lack of money he could not take with him a doctor's degree. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
The storm broke, but it cleared the air for both; and upon the death of her second son in 1847, Elise came at Christine's invitation to Vienna and spent a year in the Hebbel household. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
These publications won fame for Hebbel and yielded some immediate pecuniary gain. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel's design was to return to Hamburg by way of Vienna. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel was no naturalist, in the sense of one who seeks but to reproduce phenomena in all their details, sordid, trivial, or vulgar, if such they be. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel strikingly revealed his independence and originality at the beginning of his public career, by his new conception of old and familiar subjects. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
From the beginning Hebbel shows extraordinary sensitiveness to esthetic appeal and a disposition to dreamy imaginativeness. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Each of them was somewhat deficient in the qualities of the other two; each, however, was a personality, and Hebbel one of the most powerful that ever lived. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel's career is a long battle against all but insuperable obstacles. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel himself rightly dated an epoch in his life from his marriage and the renewed productivity which followed upon it. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
The new epoch in Hebbel's dramatic activity really began in 1848. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel was restive under criticism, and the method of his polemics tended rather to exasperate than to conciliate his adversaries. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
In the fifties, Hebbel accompanied Christine on professional trips to North Germany, and had ample occasion to observe the spread of his influence. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
But Hebbel's first Viennese triumph did not come until February 19, 1863, when Christine played Brunhild in the first and second parts of the Nibelungen. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel's drama, then, is the representation of a process, the process of life, by which things come into being. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Though in Vienna honors came later, Hebbel felt himself to be during these years at the summit of his existence. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Hebbel carried the antithesis farther, asking what is the soul, and what is the body? The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
But old Grillparzer, Hebbel and Ludwig, Keller, Raabe, Storm, and others who brought a really new and vital message were left to bear the burden of neglect, if not of animosity. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
To him cannot be assigned the unequivocal greatness of a Kleist, a Hebbel, a Keller. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Ludwig did not renounce beauty of art except where it infringed upon the one thing needful—essential truthfulness to reality, especially in all that pertains to what Hebbel called "the laws of the human soul." The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
Probably Hebbel refers to the German tradition, as he is speaking of the dwarfs who are both small and wise. The German Classics of the Nineteenth and Twentieth Centuries, Volume 09 Friedrich Hebbel and Otto Ludwig
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