| 单词 | Dostoevski |
| 例句 | I justified this desire by the fact that I was still in school, and I began, fatally, with Dostoevski. The Fire Next Time 1963-01-21T00:00:00Z I’m not concentrating on anything in particular, just reading a lot of fiction now—Dostoevski, Flaubert, Dickens, Hemingway, Faulkner—everything I can get my hands on—feeding a hunger that can’t be satisfied. Flowers for Algernon 1959-05-01T00:00:00Z He started to write Dostoevski’s name under the inscription, but saw—with fright that ran through his whole body—that what he had written was almost entirely illegible. Nine Stories 1953-04-06T00:00:00Z While I crammed my stomach I read Stein’s Three Lives, Crane’s The Red Badge of Courage, and Dostoevski’s The Possessed, all of which revealed new realms of feeling. Black Boy 1945-01-01T00:00:00Z He had read his Dostoevski and Turgenev; he had looked at those books of Russian impressions that deal in nothing but snow, ikons, and the sublime simplicity of the Russian peasant. The Dark Forest To find a parallel to this, we must recall the figure of Dostoevski in the Siberian prison. The Advance of English Poetry in the Twentieth Century Turgenev was eclipsed by Dostoevski, and Tolstoi was forgotten for a time. Essays on Russian Novelists Dostoevski's first book, Poor Folk, appeared when he was only twenty-five years old: it made an instant success, and gave the young author an enviable reputation. Essays on Russian Novelists They threw themselves on Dostoevski's neck, congratulating him with tears in their eyes. Essays on Russian Novelists Indeed, some of the most beautiful parts of the story are where Dostoevski turns from the men to the prison dog and the prison horse, and there finds true friendship. Essays on Russian Novelists Dostoevski is still very much read in Russia; and when, some twenty years ago, his novels were first translated into French, German, and English, they were received as a revelation. Essays on Russian Novelists Dostoevski brings out with great clearness the utter childishness of the prisoners; mentally, they are just bad little boys; they seem never to have developed, except in an increased capacity for sin. Essays on Russian Novelists Kropotkin seems to imply that the wave of enthusiasm for Dostoevski is a phase that has already passed, rather than a new and increasing demonstration, as Mr. Baring would have us believe. Essays on Russian Novelists The great five, whose place in the world's literature seems absolutely secure, are Pushkin, Gogol, Turgenev, Dostoevski, and Tolstoi. Essays on Russian Novelists It is interesting to compare the world-wide appeal made by the novels of Turgenev, Dostoevski, and Tolstoi with that made by Thackeray and George Eliot, not to mention Mr. Hardy or the late Mr. Meredith. Essays on Russian Novelists This is horrible enough to bring out a cold sweat; but it is redeemed, as the work of Dostoevski is, by a vast pity and sympathy for the condemned wretches. Essays on Russian Novelists The greatness of Dostoevski's heart is shown in the fact that although his comrades were detestable characters, he did not hate them. Essays on Russian Novelists Dostoevski was so angry when he read this book that he said it ought to be burnt by the common hangman. Essays on Russian Novelists No wonder Dostoevski loved children, for he was himself a great child. Essays on Russian Novelists A few days later, Dostoevski was introduced to the great critic of the time, Bielinski, and from him he received the same warm reception. Essays on Russian Novelists Probably no man ever lived who had a bigger or warmer heart than Dostoevski, and out of the abundance of the heart the mouth speaketh. Essays on Russian Novelists Dostoevski paid his youthful debt to the ever living poet in a magnificent manner. Essays on Russian Novelists If ever there was a person who would forgive any human being anything seventy times seven, that individual was Dostoevski. Essays on Russian Novelists This is, indeed, the main difference between his work and that of the giant Dostoevski. Essays on Russian Novelists The besetting sin of Dostoevski is endless garrulity with its accompanying demon of incoherence: in later years he yielded to that, as he did to other temptations, and it finally mastered him. Essays on Russian Novelists This is an exceedingly entertaining book, and, a strange thing in Dostoevski, it is, in many places, hilariously funny. Essays on Russian Novelists Like all the great Russian novelists, Dostoevski went to school to Gogol. Essays on Russian Novelists The scene where the two read together the story of the resurrection of Lazarus, and where they talk about God, prayer, and the Christian religion, shows the spiritual force of Dostoevski in its brightest manifestations. Essays on Russian Novelists With the exception of The Karamazov Brothers, this is the most peculiarly characteristic of all Dostoevski's works. Essays on Russian Novelists Dostoevski makes the convulsion come unexpectedly; Mr. De Morgan uses the fit as a kind of moral punctuation point. Essays on Russian Novelists The "lovely goodness" that Stevenson found in Dostoevski's Downtrodden and Oppressed shines in this story with a steady radiance. Essays on Russian Novelists So many writers have made false starts in literature that Dostoevski's instinct for the right path at the very outset is something notable. Essays on Russian Novelists The Christian religion is the dominating force in the works of Gogol, Tolstoi, and Dostoevski. Essays on Russian Novelists In some characters, such as those Dostoevski has given us, it leads to deeds of wild absurdity; in Andreev, it usually leads to madness. Essays on Russian Novelists The chief character is a physician, Kerzhentsev, who reminds one constantly of Dostoevski's Raskolnikov, but whose states of mind are even more subtly analysed. Essays on Russian Novelists They have all the incoherence and slipshod workmanship of Dostoevski, without the latter's glow of brotherly love. Essays on Russian Novelists From one point of view the novel is a huge, commonplace book, into which Dostoevski put all sorts of whimsies, queries, and vagaries. Essays on Russian Novelists From the heroes of Dostoevski we may see how abstract thought may be passionate, how metaphysical theories and deductions are rooted, not only in cold reason, but in the heart, emotions, and will. Essays on Russian Novelists Merezhkovski is talking of the heroes of Dostoevski; but his remark is applicable to the work of nearly all Russian novelists, and especially to Chekhov and Andreev. Essays on Russian Novelists THE life of Dostoevski contrasts harshly with the luxurious ease and steady level seen in the outward existence of his two great contemporaries, Turgenev and Tolstoi. Essays on Russian Novelists Much as I admire the brilliant Russian critic, Merezhkovski, I cannot understand his statement that Dostoevski "drew little on his personal experiences, had little self-consciousness, complained of no one." Essays on Russian Novelists Not so Dostoevski: he was often victimised, he gave freely and impulsively, and was chronically in debt. Essays on Russian Novelists Much of Mr. Baring's language is an echo of Merezhkovski; but this Russian critic, while loving Dostoevski more than Turgenev, was not at all blind to the latter's supreme qualities. Essays on Russian Novelists Never again did Dostoevski write a book containing so little of himself, and so little of the native Russian element. Essays on Russian Novelists One of the most characteristic of Dostoevski's novels, characteristic in its occasional passages of wonderful beauty and pathos, characteristic in its utter formlessness and long stretches of uninspired dulness, is Downtrodden and Oppressed. Essays on Russian Novelists The cruel pathos of the story is not in the fact that such men are in prison, but that a Dostoevski should be among them. Essays on Russian Novelists It is a revelation of Dostoevski's all-embracing sympathy. Essays on Russian Novelists The delightful thing about Dostoevski's attitude is that it was so perfect an exemplification of true Christianity. Essays on Russian Novelists He regarded them as his brothers, and one feels that not one of the men would ever have turned to Dostoevski for sympathy and encouragement without meeting an instant and warm response. Essays on Russian Novelists Of all Dostoevski's novels, the one best known outside of Russia is, of course, Crime and Punishment. Essays on Russian Novelists While it is assuredly a great work, and one that nobody except a genius could have written, I do not think it is Dostoevski's most characteristic novel, nor his best. Essays on Russian Novelists Dostoevski's books are full of disconnected but painfully oppressive incidents. Essays on Russian Novelists Dostoevski's last work, The Karamazov Brothers, was the result of ten years' reflection, study, and labour, and he died without completing it. Essays on Russian Novelists Raskolnikov, in Dostoevski's Crime and Punishment, is another illustration; he wishes to be a Napoleon, and succeeds only in murdering two old women. Essays on Russian Novelists One cannot read Dostoevski and Tolstoi without thinking of the truth of Gogol's declaration. Essays on Russian Novelists Dostoevski, seven years older than Tolstoi, and three years younger than Turgenev, was not so much a Realist as a Naturalist; his chief interest was in the psychological processes of the unclassed. Essays on Russian Novelists But the story, as nearly always in Dostoevski, is a mere easel for the portraits. Essays on Russian Novelists He was surpassed by Turgenev, Dostoevski, and Tolstoi, but had he lived, he would have rejoiced in their superior art, just as every great teacher delights in being outstripped by his pupils. Essays on Russian Novelists Here is where he differs most sharply from Tolstoi, Dostoevski, and Andreev, and explains why the Russians admire him more than they love him. Essays on Russian Novelists It is unfortunate that Dostoevski did not learn from his first little masterpiece the great virtue of compression. Essays on Russian Novelists Dostoevski loved children and animals, and so-called simple folk; what is more, he not only loved them, he looked upon them as his greatest teachers. Essays on Russian Novelists No one but Dostoevski would ever have conceived of such a character, or have imagined such ideas. Essays on Russian Novelists Dickens and Dostoevski were perhaps the biggest-hearted of all novelists, and their respect for children and harmless men is notable. Essays on Russian Novelists The Hobbledehoy, translated into French as Un Adolescent, is, on the whole, Dostoevski's worst novel, which is curious enough, coming at a time when he was doing some of his best work. Essays on Russian Novelists If one really doubted the genius of Dostoevski, one would merely need to contemplate the men in this extraordinary story, and listen to their talk. Essays on Russian Novelists Of all the courtesans who have illustrated the Christian religion on the stage and in fiction, the greatest is Dostoevski's Sonia. Essays on Russian Novelists For the religion of Dostoevski is thrilling in its clairvoyance and in its fervour. Essays on Russian Novelists The books of Dostoevski and Tolstoi point directly to the Gospel, and although Russia is theoretically a Christian nation, no country needs real Christianity more than she. Essays on Russian Novelists This has for its hero one of the most remarkable of Dostoevski's characters, and yet one who infallibly reminds us of Dickens's Pecksniff. Essays on Russian Novelists No doubt Dostoevski realised the sad inequalities of his work, and the great blunders due to haste in composition. Essays on Russian Novelists Although Dostoevski's sins against art were black and many, it was a supreme compliment to the Novel as an art-form that such a man should have chosen it as the channel of his ideas. Essays on Russian Novelists Dostoevski has been surpassed in many things by other novelists. Essays on Russian Novelists In the novels of Gogol, Turgenev, Dostoevski, and Tolstoi we ought to find all the prominent traits in the Russian character. Essays on Russian Novelists Finally, in reading the works of Tolstoi, Turgenev, Dostoevski, Gorki, Chekhov, Andreev, and others, what is the general impression produced on the mind of a foreigner? Essays on Russian Novelists The Russian capacity for suffering is the real text of the great works of Dostoevski, and the reason why his name is so beloved in Russia--he understood the hearts of his countrymen. Essays on Russian Novelists Dostoevski thinks he loves money, but money flees him. Essays on Russian Novelists This attitude is shown plainly in Mr. Baring's Landmarks in Russian Literature, whose book is chiefly valuable for its sympathetic understanding of the genius of Dostoevski. Essays on Russian Novelists Dostoevski told the secrets of his prison-house in his great book Memoirs of a House of the Dead--translated into English with the title Buried Alive. Essays on Russian Novelists Dostoevski's House of the Dead is marked by that naïve Russian simplicity that goes not to the reader's head but to his heart. Essays on Russian Novelists He is like Dostoevski in his uncompromising depiction of utter degradation; but he has little of Dostoevski's glowing sympathy and heartpower. Essays on Russian Novelists This book is broad enough in scope and content to serve as the foundation of Russian fiction, and to sustain the wonderful work of Turgenev, Tolstoi, and Dostoevski. Essays on Russian Novelists And, worst of all, every one of the heroes of Dostoevski, especially in his novels of the later period, is a person suffering from some psychical disease or from moral perversion. Essays on Russian Novelists Dostoevski's consuming ambition for literary fame is well indicated in his first book. Essays on Russian Novelists Then if any one continued to doubt Dostoevski's greatness as a novelist, he could no longer doubt his greatness as a man. Essays on Russian Novelists |
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