| 单词 | cantus firmus |
| 例句 | Each section is built on a simple cantus firmus — a brief, unharmonized chant — around which a rich, involving six-part harmonic fabric is woven. Music Review: Reflections of Sacred Harmonies From Spain 2011-04-03T21:09:05Z Because the part carrying the cantus firmus moves lower in pitch through transposition, the “Agnus Dei” movement sits quite low, which flatters the group’s attractive lower voices. Classical recordings: early voices in new lights 2017-03-09T05:00:00Z “I decided to try to use the climate data as the cantus firmus and create music for the earth,” she wrote. In a new music video, Earth’s climate is baroque 2019-05-15T04:00:00Z Cantilena, kan-ti-lē′na, n. a ballad or light song: a cantus firmus or melody for church use: a singing exercise or solfeggio. Chambers's Twentieth Century Dictionary (part 1 of 4: A-D) 2011-10-11T02:01:08.990Z For an account of the chant or cantus firmus of the Roman Church see Plain-Song. Encyclopaedia Britannica, 11th Edition, Volume 5, Slice 7 "Cerargyrite" to "Charing Cross" It is his way of carrying on together a cantus firmus in two's and a counterpoint in three's. The Masters and their Music A series of illustrative programs with biographical, esthetical, and critical annotations Even on the Continent, the great schools of contrapuntists delighted to show their skill by employing as their cantus firmus, or chief part, some well-known popular song, such as "L'Homme Armé," for example. Woman's Work in Music Counterpoint is the art of adding one or more parts or melodies to a given melody, the latter being known as the "cantus firmus," or subject. Music Notation and Terminology Here it means the cantus firmus, the melody around which the old composers wove their contrapuntal ornamentation. Luther and the Reformation: The Life-Springs of Our Liberties The given melody or “principal” soon acquired the name of cantus firmus, and the other parts were each called contrapunctus, 11 as before they had been called tenor and descant. Critical and Historical Essays Lectures delivered at Columbia University To cantus firmus a write two counterpoints above and two below in the first species. A Treatise on Simple Counterpoint in Forty Lessons Write four times, and change with each solution, so that both the cantus firmus and the second species will appear in each part. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write first, second and fourth species in the other three parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus c write the first, third and fourth species in the other three parts. A Treatise on Simple Counterpoint in Forty Lessons Two-part counterpoint comprises a cantus firmus and a counterpoint. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write counterpoints in six notes, one above and one below. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write second species in one part. A Treatise on Simple Counterpoint in Forty Lessons To the cantus firmus write third species in one part, as previously directed. A Treatise on Simple Counterpoint in Forty Lessons Write each four times, setting the cantus firmus in each part in turn. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write the second species in one part. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write two above and two below, three half-notes to the measure, with syncopations. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write second species in one part as previously directed. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write the first and second species mixed in the other three parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus c write third species mixed in the other three parts, as at Fig. 139b. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus c write fourth species mixed in the other parts. A Treatise on Simple Counterpoint in Forty Lessons Write each three times, setting the cantus firmus in a different part in each solution. A Treatise on Simple Counterpoint in Forty Lessons To the cantus firmus write the fifth species in two parts. A Treatise on Simple Counterpoint in Forty Lessons Two notes are written in the counterpoint to one of the cantus firmus, except in the last measure. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write two above and two below in the second species. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write three counterpoints above and three below, in the third species. A Treatise on Simple Counterpoint in Forty Lessons Write three times, changing cantus firmus and counterpoint about so that they will appear in each part in turn. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write two counterpoints above and two below, in the fourth species. A Treatise on Simple Counterpoint in Forty Lessons To the cantus firmus write one counterpoint above and one below, in the fourth species. A Treatise on Simple Counterpoint in Forty Lessons Write each three times, setting the cantus firmus in all parts in turn. A Treatise on Simple Counterpoint in Forty Lessons Three notes may be written to one of the cantus firmus, as in Fig. 31. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write third species in one part. A Treatise on Simple Counterpoint in Forty Lessons When the counterpoint begins on the first quarter it must form a perfect consonance with the cantus firmus. A Treatise on Simple Counterpoint in Forty Lessons Unless otherwise mentioned, put the cantus firmus in any part, but avoid its continued use in the same part. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write the first species in all parts, as previously directed. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write one counterpoint above and one below, three notes to the measure. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write second species in one part and third in the other. A Treatise on Simple Counterpoint in Forty Lessons Six notes may be written to one of the cantus firmus, as in Fig. 52. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write one counterpoint above and one below, in the third species. A Treatise on Simple Counterpoint in Forty Lessons To the cantus firmus write two counterpoints above and two below, in the fourth species. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write fourth species in one part. A Treatise on Simple Counterpoint in Forty Lessons When the cantus firmus is in the lowest part and the choice of the last chord but one is V43 or vii�6, use the latter, as in Fig. 133. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write second species in one part and fifth in the other. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write the second species in two parts and the first in the others. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write third species in one part as previously directed. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write the first, second and third species in the other three parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write the first species in all parts, as in the previous lesson. A Treatise on Simple Counterpoint in Forty Lessons To the cantus firmus write the fifth species in all of the other parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write two counterpoints above and two below. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write one above and one below, with both parts resting at the hold. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write two counterpoints above and two below in two-part counterpoint. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write counterpoints in the second species in the other two parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write one example in three-part counterpoint with continuous movement at the hold. A Treatise on Simple Counterpoint in Forty Lessons Write four times, changing the cantus firmus into every part. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write a counterpoint in the second species in one part. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write second species in two parts, as previously directed. A Treatise on Simple Counterpoint in Forty Lessons Write two settings, with the cantus firmus in different parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write fourth species in one part in triple rhythm. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write second species in one part and fourth in the other. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write third species in one part and fourth in the other. A Treatise on Simple Counterpoint in Forty Lessons When the counterpoint is below the cantus firmus, the fifth of the chord needs special treatment. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write third species in one part, as previously directed. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write one above and one below, in the second species. A Treatise on Simple Counterpoint in Forty Lessons This necessitates transposing the cantus firmus, when setting it in the other parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write fourth species in one part, as directed in previous lessons. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus c write third species mixed in the other three parts. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus b write third species in two parts, as in Fig. 110b. A Treatise on Simple Counterpoint in Forty Lessons To cantus firmus a write the fourth species in one part, as usual. A Treatise on Simple Counterpoint in Forty Lessons Now, the cantus firmus may be harmonized at pleasure, the only restriction being that any tone foreign to the chord with which it enters must be treated as a dissonance. A Treatise on Simple Counterpoint in Forty Lessons In this and in succeeding lessons set the cantus firmus in any part, and transpose if necessary. A Treatise on Simple Counterpoint in Forty Lessons |
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