| 单词 | Blitzstein |
| 例句 | In 1937, the Works Progress Administration shut down “The Cradle Will Rock,” a so-called “play in music” that was written by Marc Blitzstein and directed by Orson Welles as part of the Federal Theater Project. The Virus Won’t Revive F.D.R.’s Arts Jobs Program. Here’s Why. 2020-04-22T04:00:00Z His take came through with the opening work, when Mr. Boehler sang “The Purest Kind of Guy,” with music and lyrics by Marc Blitzstein, from the 1941 musical “No for an Answer.” Music Review: A Program of Personal Significance 2010-12-01T16:19:00Z She originated two signal roles in contemporary opera: the alcoholic Birdie Hubbard in “Regina,” Marc Blitzstein’s adaptation of Lillian Hellman’s drama “The Little Foxes,” and the title role in “Lizzie Borden,” by Jack Beeson. Brenda Lewis, Versatile American Soprano, Is Dead at 96 2017-09-16T04:00:00Z First developed in 1937 with funds from the Federal Theater Project, a branch of the Works Progress Administration, “Cradle Will Rock” features music, lyrics and book by Marc Blitzstein. ArtsBeat: Broadway Mainstays Will Be Part of Encores! Off-Broadway Series 2013-06-11T21:20:58Z Blitzstein framed his critique of American capitalism as satire, so embroidering the show with jokes is hardly necessary. Theater Review: ‘The Cradle Will Rock,’ a ’30s Revival at City Center 2013-07-11T21:52:40Z When the curtain went up on the show, Blitzstein was at the piano, the actors performed from the audience, and a prized artifact in the history of agitprop was born. Theater Review: ‘The Cradle Will Rock,’ a ’30s Revival at City Center 2013-07-11T21:52:40Z Blitzstein, sometimes at the risk of minstrelsy, absorbed the musical voice of the South, where the opera takes place, while writing symphonic music with the economy and directness of Copland. Susan Graham, Opera’s Sweetheart, Tries Something New: Being Nasty 2018-06-05T04:00:00Z But that performance also gave rise to Welles’s formative Mercury Theater, and a longtime friendship with Blitzstein. ‘The Cradle Will Rock’ Returns With Its Brazen Politics Intact 2017-07-09T04:00:00Z For this production, Mr. Edelson said, he wanted to return to the original plans for “Cradle”: scenery, costumes and Blitzstein’s full orchestration, which hasn’t been heard in the United States since 1960. ‘The Cradle Will Rock’ Returns With Its Brazen Politics Intact 2017-07-09T04:00:00Z But then Marc Blitzstein’s 1937 musical was meant to instruct as much as entertain. Theater Review: ‘The Cradle Will Rock,’ a ’30s Revival at City Center 2013-07-11T21:52:40Z His last book was a sweeping biography of Marc Blitzstein; other subjects have included George Gershwin and Aaron Copland. Capturing the Short, Glamorous Life of a Forgotten Broadway Lyricist 2017-12-20T05:00:00Z Mr. Capalbo set his sights on Bertolt Brecht and Kurt Weill’s “Threepenny Opera” after hearing Leonard Bernstein conduct a concert version with a new translation by Marc Blitzstein in 1952. Carmen Capalbo, Theater Director, Dies at 84 2010-03-17T05:04:00Z Blitzstein settled the debate with his published score, which said “Regina: An Opera.” Susan Graham, Opera’s Sweetheart, Tries Something New: Being Nasty 2018-06-05T04:00:00Z Especially after the 1950s, once the show found belated success in the United States with a long-running adaptation by the composer Marc Blitzstein. Review: ‘The Threepenny Opera’ Returns Home, Liberated 2021-08-15T04:00:00Z Marc Blitzstein’s legendary, lefty Federal Theater Project musical, the first production of which was closed before it opened, returns to Classic Stage. 16 Plays and Musicals to Go to in N.Y.C. This Weekend 2019-03-14T04:00:00Z To re-emphasize the company’s American profile and populist mission, Mr. Rudel began his tenure in 1957 with three festival seasons devoted to American works, including Blitzstein’s “Regina” and Douglas Moore’s “Ballad of Baby Doe.” Identity Shifts for New York City Opera 2012-06-01T14:12:32Z In his Fascist “Caesar,” a plaintive air by Marc Blitzstein created an oasis amid encroaching darkness. Orson Welles, Musician 2015-12-07T05:00:00Z Those words, imparted in a near whisper tinged with an otherworldly vibrato, come from “I Wish It So,” a gorgeous, little-known Irish-flavored ballad by Marc Blitzstein from his 1959 show, “Juno.” Music Review: She?s Young, Restless and a Bit Dreamy 2011-02-20T22:54:19Z That first six-week season City Opera presented 42 performances of 12 works, including Douglas Moore’s “Ballad of Baby Doe,” Blitzstein’s “Regina” and Bernstein’s “Trouble in Tahiti.” Music: Julius Rudel, Still Keeping Tabs on City Opera 2010-03-17T21:03:00Z And when Blitzstein allows the have-nots to step forward, the impulse to skewer recedes and he reveals a gift for gently soaring melody that can be enchanting. Theater Review: ‘The Cradle Will Rock,’ a ’30s Revival at City Center 2013-07-11T21:52:40Z “Based on his approach and his sketches, I believe Sondheim is the most ‘serious’ composer ever to write for the musical theatre — including Gershwin, Weill, Blitzstein and Bernstein,” Horowitz wrote. Decades in the Broadway biz, and still we want more of Stephen Sondheim Houseman found a theater uptown, though there were no sets or costumes, and union restrictions kept everyone except Blitzstein from performing onstage. ‘The Cradle Will Rock’ Returns With Its Brazen Politics Intact 2017-07-09T04:00:00Z It doesn’t help that Blitzstein’s score dabbles in ragtime, spirituals and parlor music alongside more conventional styles. Susan Graham, Opera’s Sweetheart, Tries Something New: Being Nasty 2018-06-05T04:00:00Z Marc Blitzstein’s “Airborne Symphony,” for example, was a hot work in the 1940s and is now an alluring rarity. Music Review: Little Orchestra Society Takes Flight at Tully Hall 2010-04-27T22:12:00Z Aaron Copland, the man whom Bernstein called his “only true composition teacher,” was represented, as were songs by Noel Coward and Marc Blitzstein, among others. Review | Celebrating the Bernstein centennial with a family album 2018-05-21T04:00:00Z But this vibrantly sung if sometimes fuzzy-headed new production, directed by Sam Gold, clearly establishes that Blitzstein’s book retains a biting humor, which helps to soften the stern message mongering. Theater Review: ‘The Cradle Will Rock,’ a ’30s Revival at City Center 2013-07-11T21:52:40Z Opera Moderne oddly decided not to include any of his music from the 1940s or ’50s or works by the blacklisted Copland, Blitzstein or Morton Gould. Music Review: Opera Moderne Completes Its ‘Red Scare’ Series 2012-06-17T22:12:58Z But Blitzstein’s skillful blending of musical flavors has its own peppery appeal. Theater Review: ‘The Cradle Will Rock,’ a ’30s Revival at City Center 2013-07-11T21:52:40Z The score influenced some of Blitzstein’s closest friends, including Leonard Bernstein, who not-so-subtly nods to it in “Maria” from “West Side Story” and in the “Auto-da-Fé” scene of “Candide.” Susan Graham, Opera’s Sweetheart, Tries Something New: Being Nasty 2018-06-05T04:00:00Z Particularly touching was a film clip of Bernstein himself croaking through the lyrics of a Blitzstein song as he accompanied himself at the piano. Review | Celebrating the Bernstein centennial with a family album 2018-05-21T04:00:00Z Among the people who came to hear his cabaret songs were the poet E. E. Cummings, Blitzstein and Copland. Capturing the Short, Glamorous Life of a Forgotten Broadway Lyricist 2017-12-20T05:00:00Z It did not help that Bernstein was busy conducting abroad throughout rehearsals and previews, so a friend, the composer Marc Blitzstein, acted as his representative. Wait, Leonard Bernstein Wrote a ‘Peter Pan’ Musical? 2018-06-26T04:00:00Z As it happens, Mercury Theater’s first production, for which Blitzstein wrote the incidental music, was a provocative adaptation of “Julius Caesar” in 1937. ‘The Cradle Will Rock’ Returns With Its Brazen Politics Intact 2017-07-09T04:00:00Z For an even longer historical perspective, Harry Blitzstein weighs in from his gallery, the Blitzstein Museum of Art, which features Blitzstein’s own paintings — surreal slices of modernism. 'Fairfax is dead!': A TV show sparks an argument over an L.A. hotspot 2022-06-27T04:00:00Z Joseph Blitzstein, a statistician at Harvard, delves into the utility of Bayesian analysis in his popular course “Statistics 110: Probability.” How to Think Like an Epidemiologist 2020-08-04T04:00:00Z The next winter, during a recess at Bennington, she went to New York to try her luck and was cast in Marc Blitzstein’s opera “No for an Answer.” Carol Channing Dies at 97; a Larger-Than-Life Broadway Star 2019-01-15T05:00:00Z As a studentin the 1930s, he directed a production of The Cradle Will Rock, Marc Blitzstein’s opera about corruption and corporate greed. 'He was high-brow, low-brow, every-brow!' – the genius of Leonard Bernstein 2018-07-12T04:00:00Z A further confirmation of outrage, two months later and just before getting the "Chichester" commission, Bernstein's friend and former mentor, composer Marc Blitzstein, was killed on a street in Martinique. The L.A. Phil's Bernstein and Beethoven peace project 2018-04-20T04:00:00Z Blitzstein says he doesn’t “totally understand the clothing stores,” but enjoys that people are still out and about on Fairfax, as opposed to many stretches in L.A., where the car is a cold, impersonal king. 'Fairfax is dead!': A TV show sparks an argument over an L.A. hotspot 2022-06-27T04:00:00Z “Literally, the proof is just one line of algebra,” Dr. Blitzstein said. How to Think Like an Epidemiologist 2020-08-04T04:00:00Z “New Yorkers in Paris” closes the first half of the show, while “New Yorkers at Home,” which presents songs about New York by Marc Blitzstein, Irving Berlin and Richard Rodgers, closes the second half. | Westchester: American Music at Caramoor and Copland House 2012-03-03T01:04:23Z Before being elected he spent 35 years defending people with names like Fat "Herbie" Blitzstein, and Frank "Lefty" Rosenthal - the sort of characters who made Tony Soprano look like Mother Theresa. Bugsy's place 2011-01-27T11:57:31Z Blitzstein was blissfully unaware of the show “Fairfax,” but Jacqueline Canter caught an episode at that Season 1 premiere event that Canter’s catered. 'Fairfax is dead!': A TV show sparks an argument over an L.A. hotspot 2022-06-27T04:00:00Z |
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