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单词 vocal band
例句 vocal band
The performance by a vocal band with a young following led to its notice by choir directors around the world. Red snow? A most unexpected modern standard for the holidays 2021-12-20T05:00:00Z
He was embraced as a symbol by a small but vocal band of traditionalists who say Francis is leading the church astray. Pope Emeritus Benedict XVI, 95, is ‘very sick’; Francis asks for prayers 2022-12-28T05:00:00Z
Ardern has long had a small but vocal band of critics at home. Jacinda Ardern eyes historic election win in COVID-free New Zealand 2020-10-14T04:00:00Z
A vocal band of institutional investors in Urban Outfitters is concerned about board diversity. Fair Game: Shareholders Are Speaking Up, but Who’s Listening? 2013-05-25T16:27:34Z
The dam was backed by hard-liners with ties to China and opposed by an increasingly vocal band of reformers. Insight: Investment prospects luring Myanmar in from cold 2011-10-14T06:27:03Z
The tone which we hear is "colored", "re-inforced" etc., on the way from the vocal bands to the outer air. Seed Thoughts for Singers 2011-10-09T02:00:24.093Z
The dam was backed by hardliners with ties to China and opposed by an increasingly vocal band of reformers. Myanmar Shelves $3.6 Billion Mega Dam 2011-09-30T16:45:10.857Z
Still, his small but vocal band of supporters and most of the scattered crowd won over by his blistering start were soon to share with him the size of his task. Murray makes short work of Brown 2010-09-03T23:01:00Z
Above the vocal bands, another pair of membranous ligaments are stretched across the larynx forming, with its sides and the vocal bands, a pouch or pocket. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
Such vocal bands are clumsy in movement, as the arms or any other part would be if thus swollen. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
When we speak of the vocal bands we are talking of something which pertains to the second department of voice culture—the throat. Seed Thoughts for Singers 2011-10-09T02:00:24.093Z
The tone produced by the vibrations alone of the two very small vocal bands must, in the nature of things, be very feeble. Resonance in Singing and Speaking
Debloisi records an instance of congenital web of the vocal bands. Anomalies and Curiosities of Medicine
It must be borne in mind that the thick voice is produced by the full, free vibrations of the vocal bands in their entire length, breadth and thickness. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The little concavity between the false vocal bands above and the true vocal bands below is termed the ventricle of the larynx. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
All vocal tone used in singing when produced at the vocal bands is small and probably always about alike. Seed Thoughts for Singers 2011-10-09T02:00:24.093Z
Just so with these vocal bands or cords. Higher Lessons in English A work on English grammar and composition
Consequently, there is, compared to the entire substance of the vocal bands, a larger portion proportionately set in vibration than for the production of the head-tone in woman’s voice. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
We must then be particularly careful with infant classes—for the vocal bands of children prior to six years of age are very, very weak. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
This is most important, because through it is explained the fact that the vocal bands may be either tensed and lengthened or relaxed and shortened. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Keep back all pressure from the vocal bands. Seed Thoughts for Singers 2011-10-09T02:00:24.093Z
In singing, the breath must be managed so that the air passing through the larynx at expiration shall be set into vibration at the vocal bands. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
None but cultivated singers, after long practice and through a complete command of the muscles concerned, can vocalize all the air at the vocal bands. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
At the same time the throat must be open, and the muscles surrounding the resonance cavities relaxed to allow free movement of the sound-waves set up at the vocal bands. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The illustration shows particularly well both the true and the false vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Then in this air the vocal bands work. Seed Thoughts for Singers 2011-10-09T02:00:24.093Z
The result is too much air pressure at the vocal bands, and a stiffening of throat and jaw muscles. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
There is no better way, perhaps, to acquire the ability to regulate the air-pressure at the vocal bands than by soft, sustained singing. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
In repose the vocal bands are separated to allow the free passage of air to and from the lungs. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The true vocal bands are placed much as they are when a barytone is singing a very low tone. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Tone made by the vocal bands is re-inforced by vibration in the chambers of the body, and the connection of these chambers with the outer air sets into vibration the air of the room. Seed Thoughts for Singers 2011-10-09T02:00:24.093Z
Also the resonance cavities above should be open, that the vibrations generated at the vocal bands may find expansion and resonance. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
This shows that the vocal bands are relaxed. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
Singing alto at the mutation period in this manner, strains the vocal bands beyond reason, and should not under any circumstances be allowed. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
It is not only attached to the two cartilages indicated by its name, but also along the whole of the external or outer surface of the vocal band. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
At first they may be quite breathy, but as the vocal bands become accustomed to the new action, the breathiness will disappear. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
It is difficult to see more than one-half to two-thirds of the length of the vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
With certain qualifications, it may be said that the action of the vocal bands is alike for all voices. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
With girls as with boys, the change is accompanied with periods of great relaxation of the vocal bands, and during these periods the singing tone is either very light, or very loud. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
This space is a natural result of the existence of two pairs of vocal bands in such close proximity. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The bass singer has, as a rule, the largest larynx and the longest and heaviest vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
These facts indicate that under such circumstances the voice should be used with great care, not at all, or in a whisper, when the vocal bands are practically not in action. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
It was formerly considered that pitch was determined solely by the rate of vibration of the vocal bands; though the author opposed this view as rigidly applied. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Voice mutation is not one continuous period of growth of vocal bands and laryngeal cartilages. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
An excellent view of the vocal bands and of the "ventricle" of the larynx, between them, is afforded. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The reader's attention is particularly drawn to the new views of the method of action of the vocal bands, etc., referred to on this page. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Whispering is effected chiefly, if not solely, by the resonance-chambers, the vocal bands taking only the slightest part, if any at all. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
In every case there is lack of adjustment between the vocal bands and the respiratory organs. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The strength and timbre of the male falsetto depends partly upon the character of the vocal bands and partly of course upon the size and shape of the resonance cavities. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
In singing and speaking the larynx should be steadied, otherwise the "attack," or application of the air-blast to the vocal bands, cannot be perfect. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The vocal bands must be so related in function to the expiratory mechanism that the outgoing blast of air shall be as effective as possible. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The blast must be so applied to the vocal bands, or, in other words, they must be so adapted to the blast that there is no waste of energy. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The upper represents appearances such as one gets with the laryngoscope when the subject has a very severe cold, or even inflammation of the larynx, including the central vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
It is produced with far less effort and tension of the vocal bands than is the chest voice, and is physiologically perfectly safe. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The whole larynx, so far as phonation is concerned, may be said to exist for the true vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
There is weakness of the internal thyro-arytenoid muscle on the right side, which results in imperfect tension of the vocal band on that side, so that the voice is uncertain and harsh. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Appearance of the vocal bands when sounding first E and then F sharp 165 52. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Without methods of breathing that are correct and adequate there may be a perfect larynx and admirably formed resonance-chambers above the vocal bands, with very unsatisfactory results. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
During the early years of school-life the pupils may often sing out of tune because the vocal bands and controlling muscles are very weak. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The false vocal bands are protective, and approximate closely during coughing, swallowing, etc. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Shows the arytenoid cartilages, the most important of all the cartilages of the larynx, inasmuch as to the part termed "vocal process" the vocal band is attached on each side. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The movements of the vocal bands are nearly all determined by the movements of these cartilages, which have a swivel-like action. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Like the nose the larynx, and especially the vocal bands, may be catarrhal, and such a condition may call for medical treatment before the speaker or singer can do the most effective vocal work. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The vocal bands are composed of numberless elastic fibres running in part parallel to each other, and in part interwoven in various directions with each other. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The glottis is the chink between the true vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
While the false vocal bands have little or nothing to do with phonation directly, they do serve a good purpose as protectors to the more exalted true vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Such elastic tissue is, however, the very material for the construction of vocal bands, as they require to be firm yet elastic. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The muscles act on these movable cartilages, and nearly all the changes in the vocal bands are brought about through the alterations in position of the arytenoid cartilages, to which they are attached behind. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Their function has occasioned much speculation, but whatever modification of tone they may be supposed to produce, they no doubt protect the true vocal bands and permit their free vibration. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
By its action the cricoid is pulled up in front and down behind, so that the arytenoids are drawn back, and thus the vocal bands tensed and lengthened. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
All examinations of the vocal bands may leave the observer disappointed; he may fail to realize, most likely, how such wonderful results can be accomplished by structures so simple as those he sees before him. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The larynx is the most important organ in voice-production, and consists of cartilages, muscles, the vocal bands, true and false, membranes and ligaments, folds of mucous membrane, etc. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The false vocal bands have no direct function in phonation. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Yet, during these years, while the voice is developing, the vocal bands remain unchanged in length. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The whole larynx is lined with mucous membrane, that covering the true vocal bands being very thin. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The thyro-arytenoids, attached along the whole length of the vocal bands externally, have a very important but not well-understood action in the production of the higher tones, and probably also of the falsetto. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The result of this action is the new position of the cartilages and vocal bands, which is shown by red outlines. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Of course, in phonation the vocal bands are never so much separated as shown in the illustrations. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
In boys, the larynx doubles in size, and the vocal bands increase in the proportion of five to ten in length. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The false vocal bands are made up chiefly of mucous membrane; the true vocal bands abound in elastic tissue. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
For exact pictures of the vocal bands and related parts, see Chapter VII. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
We have already pointed out that the vocal bands are set into vibration solely by the expiratory blast of air. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
This view was obtained as the subject was phonating, so that the vocal bands are approximated somewhat closely. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
These breaks in both male and female voices occur at certain pitches where the tone-producing mechanism of the larynx changes action, and brings the vocal bands into a new vibratory form. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
As will be explained later, the form or quality depends largely on the shape, etc., of the resonance-chambers above the vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Before the vocal bands can be set into suitable vibrations the expiratory breath-stream must be directed against them in a special manner, and they themselves must be adapted to the blast. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The nature of the vibrations of the vocal bands, and, therefore, the character of the sounds produced, depend in no small measure on one thing, to which attention cannot be too carefully given. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
It may be strictly said that the vocal bands serve the purpose of making the resonance mechanism available. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The number of vocal registers, or vibratory forms, which the vocal bands assume, is still a matter of dispute, and their nomenclature is equally unsettled. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
The above is an example of the appearance of the vocal bands during a deep inspiration, and in this subject, as in those illustrated by Figs. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
It is true that when one speaks or sings, the chest, windpipe, and larynx may be felt to vibrate, but the essential vibrations are supra-glottic—above the vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
It seems probable that the vocal bands so beat the air within the resonance-chambers as to determine the rate of vibration of the air of these cavities, and so the pitch of the tone produced. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Waste occurs whenever air escapes to any appreciable extent through the glottis chink, as that implies an imperfect adjustment of the vocal bands and the expiratory current. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Tones sung in the thick or chest-register are produced by the full, free vibration of the vocal bands in their entire length, breadth and thickness. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
It is to be a test of inspiration, attack, economy of breath, adjustment of the vocal bands, the resonance-chambers, etc. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
It may be due to the singer trying to control too large a supply of air, or from bringing a blast to bear on the vocal bands too strong for them. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Thus it is that a disordered stomach affects the voice, that a cold may affect digestion, that a catarrh of the nose will eventually reach the vocal bands, etc. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
Breathing has for its object so far as phonation is concerned no other purpose than to so affect the vocal bands, that the resonance chambers really do resound. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
The reason for the ease with which children sing the high head-tones is found in the structure of the vocal bands. The Child-Voice in Singing treated from a physiological and a practical standpoint and especially adapted to schools and boy choirs
Pitch is determined by the vocal bands, volume by the same, in great part, and quality by the shape of the resonance-chambers above the vocal bands. Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)
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