Alfred Stieglitz was another famous photographer in the nineteen thirties.

阿尔弗雷德·斯蒂格利茨是20世纪30年代另一位著名的摄影师。

In nineteen fifteen, O'Keeffe told a friend that she wanted her art to please Alfred Stieglitz more than anyone else.

在1915年，欧姬芙告诉一个朋友，她希望自己的艺术比任何人都更能取悦艾尔弗雷德·斯蒂格利茨。

The relationship between O'Keeffe and Alfred Stieglitz was not an easy one.

欧姬芙和阿尔弗雷德·斯蒂格利茨之间的关系并不容易。

After Alfred Stieglitz died, she moved to the faraway' permanently.

丈夫阿尔弗雷德·斯蒂格利茨去世后，她永久地搬到了“遥远的”地方。

Alfred Stieglitz was a major force behind shows of Georgia O'Keeffe's work for the next twenty-five years.

阿尔弗雷德·斯蒂格利茨是乔治亚·欧姬芙在接下来的25年里作品展览的主要推动者。

Stieglitz liked her drawings enough to show them in his art gallery, called Two Ninety One.

施蒂格利茨非常喜欢她的画，并把它们陈列在他的名为“291”的画廊里。

Alfred Stieglitz met with Edward Weston two times. He did not say that he liked Mister Weston's work.

阿尔弗雷德·施蒂格利茨见过爱德华·韦斯顿两次。他没有说自己喜欢韦斯顿先生的作品。

Georgia O'Keeffe had met the famous art critic and photographer Alfred Stieglitz at his New York City gallery in nineteen-oh-eight.

乔治亚·欧姬芙于1908年在阿尔弗雷德·斯蒂格利茨的纽约画廊遇见了这位著名的艺术评论家和摄影师。

Mister Stieglitz would point to some parts of the pictures he liked. Then he would point to something he did not like.

施蒂格利茨会指出这些照片中他喜欢的的部分。然后他会指出他不喜欢的部分。

O'Keefe became part of Stieglitz's inner circle of early modernist, including Arthur Dove, Charles Demuth, and Edward Steichen, among others.

奥基夫成为施蒂格利茨早期现代主义核心圈子的一员，其中包括阿瑟·多夫（Arthur Dove）、查尔斯·德穆斯（Charles Demuth）和爱德华·史泰肯（Edward Steichen）等。

Alfred Stieglitz was the most influential photographer in the United States at the time. He was the reason for Mister Weston's trip to New York City.

阿尔弗雷德·施蒂格利茨是当时美国最有影响力的摄影师。他是韦斯顿先生去纽约旅行的原因。

He was responsible for a magazine called Camera Works. Mister Stieglitz helped many of the photographers whose work he liked, including Paul Strand and Ansel Adams.

他负责一本叫《相机作品》的杂志。斯蒂格里茨先生帮助了许多他喜欢的摄影师，包括保罗·斯特兰德和安塞尔·亚当斯。

Stieglitz's club Photo Secession, however, referred more to the fact that he was separating himself from the other photographers and trying to do something completely new.

然而，斯蒂格利茨的照片分裂组织更多地提到了这样一个事实，即他正在将自己与其他摄影师区分开来， 并试图做一些全新的事情。

What Stieglitz was trying to do in these photographs was what he tried to do throughout his life: --- make photography an art. He felt that photography could be just as good a form of self-expression as painting or drawing.

斯蒂格利茨在这些照片中试图做的就是他一生都在努力做的事情：---让摄影成为一门艺术。他认为摄影可以像绘画一样成为一种很好的自我表达方式。