He found the unfinished works of the Italian master equally powerful, and would purposely leave his own works unfinished, leaving the seam lines left by plaster moulds or finger marks as a challenge to what constituted a finished work.

他发现这位意大利大师的未完成作品同样有力量，他会故意让自己的作品未完成，留下石膏模型留下的缝线或手指印，作为对构成已完成作品的挑战。