" About Heidegger's interpretation of a fragment by Heraclitus."

“思考海德格尔对赫拉克利特某段文字的诠释。”

Heidegger's ambition was to move away from philosophy as an overly anemic and intellectual endeavor.

海德格尔的野心是要摆脱哲学这种过于贫乏和理智的努力。

Let's see how the work of Terrence Malick not only captures, but also clarifies and contributes to Heidegger's ideas.

让我们来看看泰伦斯·马利克的作品是如何不仅抓住，而且澄清和推进海德格尔的思想的。

This tyre is a Dunlop, but Heidegger's bicycle had Palmer tyres.

这个轮胎是邓禄普， 但海德格尔的自行车有帕尔默轮胎。

This is where we can re-introduce Heidegger's conceptualization of human existence, which he referred to as our Dasein, our Being-there.

在这里，我们可以重新引入海德格尔对人类存在的概念化，他将其称为我们的此在，我们的存在。

And this shift from philosophy to cinema, I think, should be taken into account, lest we make a mere overview of Heidegger's ideas as they are represented in Malick's films.

我认为，这种从哲学到电影的转变应该被考虑在内，以免我们仅仅只对海德格尔的思想进行概述，因为它们在马力克的电影中得到了体现。

This was Heidegger's ontology, in which anxiety is not a token of our solitude, but instead signifies our pre-existing, internal connection to the nothing; a sort of umbilical cord tied directly to the source of all creation.

这就是海德格尔的本体论，在这个本体论中，焦虑不是我们孤独的象征，而是象征着我们与虚无的预先存在的内在联系；一种脐带，直接连接到万物之源。