As a visionary, Apollinaire saw a gap between two artistic institutions.

作为一个空想家，他看到了两个艺术机构之间的鸿沟。

As a poet, Apollinaire was passionate about all forms of art and a connoisseur of medieval literature, especially calligraphy and illuminated initials.

作为一个诗人，阿波利奈尔对各种形式的艺术都充满了热情对于中世纪的文学，他绝对是一个内行者，特别是在书法和首字母放大文化方面。

Undoubtedly, the deeply layered artistic expressions in Apollinaire's calligrams are not just a brilliant display of poetic prowess from a master of the form.

毫无疑问，在阿波利奈尔的诗画中那些深层次的表达不仅仅是一种超凡的大师级的作品形式。

As an art critic, Apollinaire explained the cubist and surrealist movements to the world, and rose to the defense of many young artists in the face of what was often a xenophobic and narrow-minded public.

作为一名艺术评论家，阿波利奈尔认为许多立体主义者和超现实主义者，对很多年轻艺术家有抵触情绪这源于他们对于外国文化入侵的恐惧以及他们狭隘的目光。

Apollinaire created the calligram as a poem picture, a written portrait, a thoughts drawing, and he used it to express his modernism and his desire to push poetry beyond the normal bounds of text and verse and into the 20th century.

他创造了画诗，一种文字形式的素描，和绘画形式的思想，他用这个来表达他的现实主义以及让诗歌摆脱原有文字和诗歌体裁的束缚的想法并且一直延续了20世纪。