But that is not the Tahiti Gauguin found.

但高更看到的塔希提岛却绝非如此。

Spencer meanwhile clearly drew on Gauguin to produce the powerfully symbolic “Apple Gatherers” (1912-13) .

与此同时，Spencer明显地吸取高更的创作手法，创作出强有力的、象征性的《苹果采集者》（Apple Gatherers）（1912-13）。

Gauguin worked from the imagination and memory, van Gogh surrendered himself to nature.

高更将灵感寄托于想象和回忆；而梵高将思想臣服于大自然。

When he persuaded Paul Gauguin to join him in Arles, van Gogh believed that they would inspire each other's work. It was a tragic delusion.

在阿勒斯时，梵高劝说保罗·高更加入他的创作队伍，他相信他们俩能激发彼此的灵感，有所裨益。但这却是个悲剧的幻想。