Then, Pygmalion and Galatea could get married.

然后，皮格马利翁和加拉蒂亚就可以结婚了。

Galatea, the woman of his dreams, had come alive.

加拉蒂亚，他梦寐以求的女人，活了过来。

Pygmalion and Galatea, the sculptor and his creation, lived out their days in love and happiness.

皮格马利翁和加拉蒂亚，雕塑家和他的创作，在爱情和幸福中度过了他们的日子。

In Pygmalion's longing and Galatea's awakening, we see our own desires and dreams reflected.

在皮格马利翁的渴望和加拉蒂亚的觉醒中，我们看到了自己的欲望和梦想的反映。

Galatea was perfection personified, the epitome of his heart's deepest longing.

加拉蒂亚是完美的化身，是他心中最深切渴望的缩影。

And in his love, Galatea found life, a testament to the power of love's touch.

在他的爱中，加拉蒂亚找到了生命，证明了爱之触动的力量。

Just as in the Greek myth where Galatea was just a sculpture of Pygmalion's, Eliza is just a project of Professor Higgins.

就像在希腊神话中， Galatea 只是 Pygmalion 的雕塑一样，Eliza 只是 Higgins 教授的一个项目。

Galatea and Pygmalion, to him, were symbols of humanity's yearning to create, to conquer the impossible.

对他来说，加拉蒂亚和皮格马利翁象征着人类渴望创造、征服不可能的事物。

He asked not for a woman of flesh and blood to love, but for his beloved Galatea to come alive, to breathe, to be with him.

他不求一个有血有肉的女人去爱，而是要他心爱的加拉蒂亚活过来，呼吸，和他在一起。

In the quiet hours of the night, Pygmalion would sit in the dim light of his workshop, his gaze locked onto Galatea.

在夜深人静的时候，皮格马利翁会坐在工作室昏暗的灯光下，凝视着加拉蒂亚。

As Liao Yuan, a lover of fairy tales, I find in the story of Pygmalion and Galatea a beautiful exploration of love and longing.

作为童话爱好者廖远，我在皮格马利翁和伽拉忒亚的故事中发现了对爱与渴望的美好探索。

In the end, the tale of Pygmalion and Galatea is a testament to the power of love and the boundless potential of the human heart.

最后，皮格马利翁和加拉蒂亚的故事证明了爱的力量和人心的无限潜力。

Cixin's latest fascination was with an odd, beautiful sculpture named Galatea, said to have been brought to life by the love of the artist, Pygmalion.

慈欣最近迷恋的是一个古怪而美丽的雕塑，名叫伽拉忒亚，据说是在艺术家皮格马利翁的爱情下赋予生命的。

Pygmalion's love for Galatea was not of flesh but of spirit, a love that saw beyond the cold, hard marble and into the soul of the woman he had created.

皮格马利翁对加拉蒂亚的爱不是肉体上的，而是精神上的，这种爱超越了冰冷坚硬的大理石，直达他所创造的女人的灵魂。

More of Moreau's interest in mythology is visible in paintings like Oedipus and Sphinx, Galatea, and Salome Dancing before Herod, who was frequently depicted by symbolists trying to represent the idea of a femme fatale.

莫罗对神话的更多兴趣可见于俄狄浦斯和狮身人面像、加拉忒亚和希律之前的莎乐美之舞等画作，这些画作经常被象征主义者描绘 ，试图代表蛇蝎美人的想法。