And so, when it comes to existential anxiety, and the question of the meaning of being, Malick uses cinema not only as a platform for philosophical discussion, but also as a vehicle to invoke it. to make us notice.

因此，当涉及到存在焦虑和存在意义的问题时，马力克不仅把电影作为哲学讨论的平台，还把它作为激发哲学讨论的工具。让我们注意到。

In his book The Concept of Anxiety,   he would describe this term as a particular feeling of anxiety and dread—not any  sort of anxiety disorder, but rather, the underpinning existential anxiety that  pervades the entire human condition in general.

在他的书《焦虑的概念》中， 他将这个术语描述为一种特殊的焦虑和恐惧感——不是任何类型的焦虑症，而是普遍存在于整个人类状况中的潜在的存在焦虑。