Antonia quitted her embroidery frame, threw herself upon her knees by the Sopha, and hid her face in her Mother's lap.

安东尼亚离开了绣花框，跪倒在索法河边，把脸埋在母亲的膝上。

On his entrance He found Elvira, who was indisposed, reclining upon a Sopha: Antonia sat by her embroidery frame, and Leonella, in a pastoral dress, held 'Montemayor's Diana'.

在他进门时，他发现身体不适的埃尔维拉斜靠在索法 (Sopha) 上：安东尼娅坐在她的刺绣框旁，莱昂内拉身着田园风格的连衣裙，手捧着“蒙特马约尔的戴安娜”。

Antonia received him with a simple reverence, and continued her work: Her cheeks were suffused with crimson, and She strove to conceal her emotion by leaning over her embroidery frame.

安东尼娅怀着朴素的敬意接待了他，继续她的工作：她的脸颊泛着绯红，她靠在绣框上努力掩饰自己的情绪。

She seated herself at her embroidery frame, but nothing went right: The silks were missing, the thread snapped every moment, and the needles were so expert at falling that they seemed to be animated.

她在绣框前坐下，但什么都不对：丝绸不见了，线时时刻刻都断了，针落得非常熟练，似乎在活动。