I still love a good earworm that gets stuck in my head.

我还是喜欢那首留在我脑海里的耳朵虫。

From a psychological perspective, earworms are an example of mental imagery.

从心理学角度来看，耳朵虫是心理的假想。

As we remember, we use the word earworm that means it can get stuck in our head.

还记得吗，我们使用了这个词，耳朵虫，意思是停留在我们的脑海里。

Dear Crazy Future Sheldon, you were driven mad by an earworm.

致亲爱的未来已疯谢尔顿，你被卡脑歌给搞疯了。

The other day I heard an earworm and it got stuck in my head for three days.

前几天，我听到了一首耳朵虫，它在我脑海里停留了三天。

It is an irresistible earworm, topping the charts in Norway and reaching number six on the Billboard chart in America.

这首歌就是让人无法抗拒的耳虫，在挪威音乐排行榜上高居榜首，在美国告示牌排行榜上排名第六。

Have these technologies bread some kind of unique, contemporary experience, and are earworms just a product of the late 20th century?

这些技术真的带来了某种独有的、短暂的体验吗？耳朵虫只是二十世纪末才有的产物吗？

Earworms tend to be quite vivid and they're normally made up of a tune, rather than, say, harmonies.

「绕梁余音」会是相当鲜明的一般来说它们比较像旋律 多过於合声所组成。

And an earworm means it gets inside of your ear and into your head very very quickly.

耳朵虫指的是它快速进入你的耳朵并进入你的脑海。

It's just an earworm. It'll come to you.

只是歌曲卡脑里了 会想起来的。

It has been one of the hookiest earworms I've ever encountered in my life da da da da da da da.

这是我一生中遇到过的最钩的耳虫之一，哒哒哒哒哒哒哒。

This reference, and others, show us that earworms seem to be a basic psychological phenomenon, perhaps exacerbated by recording technology but not new to this century.

这个描述以及其他的内容向我们说明了耳朵虫看起来像是一种很普通的心理现象，也许录音技术令其变得更加严重了，但绝非是本世纪的新玩意儿。

That's a good example of an earworm – a song that you don't even like, but somehow you just can't seem to forget.

这是耳虫的一个很好的例子——一首你甚至不喜欢的歌曲，但不知何故你似乎无法忘记。

As the musicals of Rodgers and Hammerstein did after the second world war, it supplies neon-lit flamboyance after pinched grey years, and a sequence of earworm songs that you didn't realise you knew.

正如罗杰斯和汉默斯坦的音乐剧在第二次世界大战后所做的那样，在短暂的灰色岁月之后， 它提供了霓虹灯下的华丽，以及一系列你没有意识到自己知道的耳虫歌曲。