I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣的是诗歌的破碎、错乱、不对称、不和谐的结构，也就是我说的言语声律障碍，即运用破损声音的作诗法。